Robert Edward Grant

So wait, there's a pattern there already, isn't there? Five over four, then four over three. And then four over three, also as an inversion, if I take the entire length of the base of that pyramid, it would be six over four. So I invert it and then reduce it down. And six over four is equal to three over two, right? Because you divide them both by two to get the lowest common denominator.

And now you have another Pythagorean triple, which is 3 over 2. So we have 5 over 4, 4 over 3, 3 over 2. So wait, the Great Pyramid must be 2 over 1 something. And it was. It was 2 over 1 pi. 5, 4, 3, 2, 1 pi. And nobody's seen this before.

And now you have another Pythagorean triple, which is 3 over 2. So we have 5 over 4, 4 over 3, 3 over 2. So wait, the Great Pyramid must be 2 over 1 something. And it was. It was 2 over 1 pi. 5, 4, 3, 2, 1 pi. And nobody's seen this before.

And now you have another Pythagorean triple, which is 3 over 2. So we have 5 over 4, 4 over 3, 3 over 2. So wait, the Great Pyramid must be 2 over 1 something. And it was. It was 2 over 1 pi. 5, 4, 3, 2, 1 pi. And nobody's seen this before.

And anyone who knows music realizes those are all mathematical intervals used in musical tuning. So a music theorist would look at that and say, whoa, that's the major 3rd. That's the perfect 4th and the perfect 5th. That's also the diminished fifth, because inside the two over one proportion is also implied the square root of two over one, right?

And anyone who knows music realizes those are all mathematical intervals used in musical tuning. So a music theorist would look at that and say, whoa, that's the major 3rd. That's the perfect 4th and the perfect 5th. That's also the diminished fifth, because inside the two over one proportion is also implied the square root of two over one, right?

And anyone who knows music realizes those are all mathematical intervals used in musical tuning. So a music theorist would look at that and say, whoa, that's the major 3rd. That's the perfect 4th and the perfect 5th. That's also the diminished fifth, because inside the two over one proportion is also implied the square root of two over one, right?

So a circle would go from the base of the pyramid up to the top of the pyramid, and then you inscribe a square within that, and it's got the square root of two already within it. And then the king's chamber is also two over one, which is doubling an octave, you know, basically taking it up an octave. And then its inverse becomes the same as one over one.

So a circle would go from the base of the pyramid up to the top of the pyramid, and then you inscribe a square within that, and it's got the square root of two already within it. And then the king's chamber is also two over one, which is doubling an octave, you know, basically taking it up an octave. And then its inverse becomes the same as one over one.

So a circle would go from the base of the pyramid up to the top of the pyramid, and then you inscribe a square within that, and it's got the square root of two already within it. And then the king's chamber is also two over one, which is doubling an octave, you know, basically taking it up an octave. And then its inverse becomes the same as one over one.

So then that tells us out of the 13 musical intervals, The three pyramids on the Giza Plateau give us eight out of the 13 perfect proportions of what the musical notes would create. So it's literally the sound of the following. The sound of Giza Plateau is da, da, da, da, which is the most common chords in music.

So then that tells us out of the 13 musical intervals, The three pyramids on the Giza Plateau give us eight out of the 13 perfect proportions of what the musical notes would create. So it's literally the sound of the following. The sound of Giza Plateau is da, da, da, da, which is the most common chords in music.

So then that tells us out of the 13 musical intervals, The three pyramids on the Giza Plateau give us eight out of the 13 perfect proportions of what the musical notes would create. So it's literally the sound of the following. The sound of Giza Plateau is da, da, da, da, which is the most common chords in music.

And this was like profound because then I started thinking, okay, well, I wonder if the other pyramids around the world are also following this pattern. And guess what? They are.

And this was like profound because then I started thinking, okay, well, I wonder if the other pyramids around the world are also following this pattern. And guess what? They are.

And this was like profound because then I started thinking, okay, well, I wonder if the other pyramids around the world are also following this pattern. And guess what? They are.

They're all different musical notes in a 24-note scale, which the 24-note scale actually combines all the pentatonic scales. It'd be like, my girl, dun, dun, dun, dun, dun, dun. That's the pentatonic scale. And then all those indigenous scales can be combined under one scale when you use quarter-tone scale instead of a semitone scale.

They're all different musical notes in a 24-note scale, which the 24-note scale actually combines all the pentatonic scales. It'd be like, my girl, dun, dun, dun, dun, dun, dun. That's the pentatonic scale. And then all those indigenous scales can be combined under one scale when you use quarter-tone scale instead of a semitone scale.

They're all different musical notes in a 24-note scale, which the 24-note scale actually combines all the pentatonic scales. It'd be like, my girl, dun, dun, dun, dun, dun, dun. That's the pentatonic scale. And then all those indigenous scales can be combined under one scale when you use quarter-tone scale instead of a semitone scale.

And it also unites 432 and 528 and the Giza Plateau proportions itself. The length is 528 and the base is 432 proportion.