Robert Rodriguez

And when it happens, I'm going to point it out and it's going to be like magic and we're just going to go, okay, we're accepting it and we do it. And it gets people in that kind of headspace. And then we're all open to it, to where the character is supposed to go, what the, what it's supposed to sound like instead of me being very, you know, manipulative to get a certain thing.

And when it happens, I'm going to point it out and it's going to be like magic and we're just going to go, okay, we're accepting it and we do it. And it gets people in that kind of headspace. And then we're all open to it, to where the character is supposed to go, what the, what it's supposed to sound like instead of me being very, you know, manipulative to get a certain thing.

And when it happens, I'm going to point it out and it's going to be like magic and we're just going to go, okay, we're accepting it and we do it. And it gets people in that kind of headspace. And then we're all open to it, to where the character is supposed to go, what the, what it's supposed to sound like instead of me being very, you know, manipulative to get a certain thing.

I don't know, it's just whatever feels good.

I don't know, it's just whatever feels good.

I don't know, it's just whatever feels good.

Yeah. Well, you're a performer and you want, and there's no other, you know, it's not like a live show where you get the approval of the audience and you're like, oh, well, they, they like that joke. I mean, do more, you know, really the director is it. And a lot of times the director's way behind a monitor somewhere. That's why I still like to operate the camera.

Yeah. Well, you're a performer and you want, and there's no other, you know, it's not like a live show where you get the approval of the audience and you're like, oh, well, they, they like that joke. I mean, do more, you know, really the director is it. And a lot of times the director's way behind a monitor somewhere. That's why I still like to operate the camera.

Yeah. Well, you're a performer and you want, and there's no other, you know, it's not like a live show where you get the approval of the audience and you're like, oh, well, they, they like that joke. I mean, do more, you know, really the director is it. And a lot of times the director's way behind a monitor somewhere. That's why I still like to operate the camera.

Cause when I'm operating the camera, it's like this, we can have a hundred people here. We wouldn't know because they go away. It's just us. They just disappear when it's the camera guy is the director. And we're going, let's do that again. Let's do that again. There's a shot in, I'm lighting Sin City myself.

Cause when I'm operating the camera, it's like this, we can have a hundred people here. We wouldn't know because they go away. It's just us. They just disappear when it's the camera guy is the director. And we're going, let's do that again. Let's do that again. There's a shot in, I'm lighting Sin City myself.

Cause when I'm operating the camera, it's like this, we can have a hundred people here. We wouldn't know because they go away. It's just us. They just disappear when it's the camera guy is the director. And we're going, let's do that again. Let's do that again. There's a shot in, I'm lighting Sin City myself.

I have my crew setting lights and I have this great shot of Clive Owen where he's holding down Benicio's head in the toilet. You know, Benicio's not there. It's just a closeup of him at this point. And I'm practicing my shot. I'm zooming in slow in his face. And people are still walking behind him on the green screen setting lights. And I'm like, I'm rolling. We're ready to go. We're getting this.

I have my crew setting lights and I have this great shot of Clive Owen where he's holding down Benicio's head in the toilet. You know, Benicio's not there. It's just a closeup of him at this point. And I'm practicing my shot. I'm zooming in slow in his face. And people are still walking behind him on the green screen setting lights. And I'm like, I'm rolling. We're ready to go. We're getting this.

I have my crew setting lights and I have this great shot of Clive Owen where he's holding down Benicio's head in the toilet. You know, Benicio's not there. It's just a closeup of him at this point. And I'm practicing my shot. I'm zooming in slow in his face. And people are still walking behind him on the green screen setting lights. And I'm like, I'm rolling. We're ready to go. We're getting this.

I can already tell. We're already in the moment. What you're doing right now, just keep holding that look. Now, one jolt, like he's starting to fight back, but you don't even flinch. Cut. Okay. Never mind. You guys can stop moving that shit. We already got it. Holy shit. Yeah, it's like that. Wow. Yeah, it's like that because you're so locked in. That's a great scene, by the way. Great, right?

I can already tell. We're already in the moment. What you're doing right now, just keep holding that look. Now, one jolt, like he's starting to fight back, but you don't even flinch. Cut. Okay. Never mind. You guys can stop moving that shit. We already got it. Holy shit. Yeah, it's like that. Wow. Yeah, it's like that because you're so locked in. That's a great scene, by the way. Great, right?

I can already tell. We're already in the moment. What you're doing right now, just keep holding that look. Now, one jolt, like he's starting to fight back, but you don't even flinch. Cut. Okay. Never mind. You guys can stop moving that shit. We already got it. Holy shit. Yeah, it's like that. Wow. Yeah, it's like that because you're so locked in. That's a great scene, by the way. Great, right?

Holy shit. And you can feel it. It's like, if I wait for these guys, this moment will be gone. And then another one was Mickey Rourke. He had so much freaking dialogue. He had just done this whole big dialogue scene. He had another one that said, let's go ahead and start with a wide shot.

Holy shit. And you can feel it. It's like, if I wait for these guys, this moment will be gone. And then another one was Mickey Rourke. He had so much freaking dialogue. He had just done this whole big dialogue scene. He had another one that said, let's go ahead and start with a wide shot.