Robert Rodriguez

And you get there by having something to work on like this to take the technology to the next level. So it was cool to be able to help, you know, uh, knowing that you're being helpful to him in his process and not just distracting him.

But then also he liked that his artists had something else to work on besides just avatar to just work on something, you know, different to freshen up their perspective on things and methodology. And so, yeah, that was a really exciting movie to work on. And then we got to shoot it here, a Jim Cameron movie here in Austin. That was the best, having him here.

But then also he liked that his artists had something else to work on besides just avatar to just work on something, you know, different to freshen up their perspective on things and methodology. And so, yeah, that was a really exciting movie to work on. And then we got to shoot it here, a Jim Cameron movie here in Austin. That was the best, having him here.

But then also he liked that his artists had something else to work on besides just avatar to just work on something, you know, different to freshen up their perspective on things and methodology. And so, yeah, that was a really exciting movie to work on. And then we got to shoot it here, a Jim Cameron movie here in Austin. That was the best, having him here.

And my whole crew, who's worked with me 25, 30 years, everyone had an extra spring in their step because they're like, I mean, that's just like a high bar of achievement for everybody, you know, working on it.

And my whole crew, who's worked with me 25, 30 years, everyone had an extra spring in their step because they're like, I mean, that's just like a high bar of achievement for everybody, you know, working on it.

And my whole crew, who's worked with me 25, 30 years, everyone had an extra spring in their step because they're like, I mean, that's just like a high bar of achievement for everybody, you know, working on it.

I think any of those guys, George Lucas, you know, him, John Lasseter running into Pixar, it's a mix of... And I got really lucky. My first job was a Photoshop because my dad had a friend who owned a Photoshop. He said, your summer job. And I was 16. Go work for my friend, Mario.

I think any of those guys, George Lucas, you know, him, John Lasseter running into Pixar, it's a mix of... And I got really lucky. My first job was a Photoshop because my dad had a friend who owned a Photoshop. He said, your summer job. And I was 16. Go work for my friend, Mario.

I think any of those guys, George Lucas, you know, him, John Lasseter running into Pixar, it's a mix of... And I got really lucky. My first job was a Photoshop because my dad had a friend who owned a Photoshop. He said, your summer job. And I was 16. Go work for my friend, Mario.

So I go to Mario's Photoshop and I'm, you know, developing pictures or, you know, think you develop photos from film and He said, here, take this camera home. Give me one of those cameras. Take this camera home and some film. I need you to learn how to use the camera so you can help me sell the cameras. So I went home and I have a bunch of siblings. So like, well, the stars are bedhead.

So I go to Mario's Photoshop and I'm, you know, developing pictures or, you know, think you develop photos from film and He said, here, take this camera home. Give me one of those cameras. Take this camera home and some film. I need you to learn how to use the camera so you can help me sell the cameras. So I went home and I have a bunch of siblings. So like, well, the stars are bedhead.

So I go to Mario's Photoshop and I'm, you know, developing pictures or, you know, think you develop photos from film and He said, here, take this camera home. Give me one of those cameras. Take this camera home and some film. I need you to learn how to use the camera so you can help me sell the cameras. So I went home and I have a bunch of siblings. So like, well, the stars are bedhead.

Taking all these pictures of everybody. I take it back and he looks at the pictures when he develops. He's like, whoa, these are really creative. You're a creative person. So when sometimes people tell you something that you can't unhear, and he goes, that's a gift. But you need to know now, now you need to become technical. because most creative people need technicians.

Taking all these pictures of everybody. I take it back and he looks at the pictures when he develops. He's like, whoa, these are really creative. You're a creative person. So when sometimes people tell you something that you can't unhear, and he goes, that's a gift. But you need to know now, now you need to become technical. because most creative people need technicians.

Taking all these pictures of everybody. I take it back and he looks at the pictures when he develops. He's like, whoa, these are really creative. You're a creative person. So when sometimes people tell you something that you can't unhear, and he goes, that's a gift. But you need to know now, now you need to become technical. because most creative people need technicians.

So here, I want you to learn zone photography. I want you to learn this, the technical part of it. So that's why I didn't take a crew in Mariachi because I knew if I'm just a creative person and I need a crew to go actually technically make the movie, I'll always need something. And when you want to really change your life, you want to get your I need list down to little as possible.

So here, I want you to learn zone photography. I want you to learn this, the technical part of it. So that's why I didn't take a crew in Mariachi because I knew if I'm just a creative person and I need a crew to go actually technically make the movie, I'll always need something. And when you want to really change your life, you want to get your I need list down to little as possible.

So here, I want you to learn zone photography. I want you to learn this, the technical part of it. So that's why I didn't take a crew in Mariachi because I knew if I'm just a creative person and I need a crew to go actually technically make the movie, I'll always need something. And when you want to really change your life, you want to get your I need list down to little as possible.

Because if you're like, well, I want to shoot my movie, but I need a cameraman and I need somebody who knows how to light it. Your I need list keeps growing. That's further and further and further you will be from what you need to accomplish. So I kind of went down there without any help. So that remember that script analogy where the guy said, throw away three scripts.