Ron Howard

Why don't you try that one, Ron? Well, look, anybody that comes in and fuels the market is a plus for a company like ours. And we've worked with all the big streaming companies. We have good relationships with them across the board. It also creates, you know, hunger...

Why don't you try that one, Ron? Well, look, anybody that comes in and fuels the market is a plus for a company like ours. And we've worked with all the big streaming companies. We have good relationships with them across the board. It also creates, you know, hunger...

Why don't you try that one, Ron? Well, look, anybody that comes in and fuels the market is a plus for a company like ours. And we've worked with all the big streaming companies. We have good relationships with them across the board. It also creates, you know, hunger...

elsewhere, some of these companies that are experiencing a kind of an existential crisis, it's kind of like, it's not our problem unless we can help you. And of course, holistically, we want as many companies winning as possible, but it's even, you know, interesting to see companies like Tubi take off. So it really is dynamic.

elsewhere, some of these companies that are experiencing a kind of an existential crisis, it's kind of like, it's not our problem unless we can help you. And of course, holistically, we want as many companies winning as possible, but it's even, you know, interesting to see companies like Tubi take off. So it really is dynamic.

elsewhere, some of these companies that are experiencing a kind of an existential crisis, it's kind of like, it's not our problem unless we can help you. And of course, holistically, we want as many companies winning as possible, but it's even, you know, interesting to see companies like Tubi take off. So it really is dynamic.

The important thing is, and YouTube, and as Brian was mentioning, wherever a story can meet the audience, that intrigues us. And whatever the format we've found, it can be exciting to us. So it's about aligning the appropriate story with the right home, the right partnership creatively, and from a business standpoint as well.

The important thing is, and YouTube, and as Brian was mentioning, wherever a story can meet the audience, that intrigues us. And whatever the format we've found, it can be exciting to us. So it's about aligning the appropriate story with the right home, the right partnership creatively, and from a business standpoint as well.

The important thing is, and YouTube, and as Brian was mentioning, wherever a story can meet the audience, that intrigues us. And whatever the format we've found, it can be exciting to us. So it's about aligning the appropriate story with the right home, the right partnership creatively, and from a business standpoint as well.

And I think, again, that's where our flexibility really is exciting for us and important.

And I think, again, that's where our flexibility really is exciting for us and important.

And I think, again, that's where our flexibility really is exciting for us and important.

Well, we want to just grow Imagine. And so we're having a great time. Sure, we'd like Imagine to become something that continued to be stable and stood for something.

Well, we want to just grow Imagine. And so we're having a great time. Sure, we'd like Imagine to become something that continued to be stable and stood for something.

Well, we want to just grow Imagine. And so we're having a great time. Sure, we'd like Imagine to become something that continued to be stable and stood for something.

Because young people want to be Imagine. They like the idea of it, the idea of two artists. I mean, I started as a writer. I'm not... Great writer. You are Splash. I think that's a pretty good credit. Thanks. I had other helpers, too, along the way. We got nominated for it, but a lot of it was due to two writers named Lowell and Bob Lou.

Because young people want to be Imagine. They like the idea of it, the idea of two artists. I mean, I started as a writer. I'm not... Great writer. You are Splash. I think that's a pretty good credit. Thanks. I had other helpers, too, along the way. We got nominated for it, but a lot of it was due to two writers named Lowell and Bob Lou.

Because young people want to be Imagine. They like the idea of it, the idea of two artists. I mean, I started as a writer. I'm not... Great writer. You are Splash. I think that's a pretty good credit. Thanks. I had other helpers, too, along the way. We got nominated for it, but a lot of it was due to two writers named Lowell and Bob Lou.

In any event, Enron is a director in Hyphenate, and so I think they like that artists... Well, we understand the language. We understand their, you know, their fears. We all have the same kind of fears, anxieties, hopes, dreams. Look, the content business has always been a dream business. You have to dream in order to do something great.

In any event, Enron is a director in Hyphenate, and so I think they like that artists... Well, we understand the language. We understand their, you know, their fears. We all have the same kind of fears, anxieties, hopes, dreams. Look, the content business has always been a dream business. You have to dream in order to do something great.