Ron Howard

Just say what that means. What does that mean? Do you know what that means?

Just say what that means. What does that mean? Do you know what that means?

For me, I try to find, I try to have a story that I think will be relatable to the audience that I'm trying to go after, that we're going after. But I look at stories as there's the external part of a story and then there's the internal part. The internal part is, again, the heartbeat or the soul of what that is. So you try to find a theme that is unifying.

For me, I try to find, I try to have a story that I think will be relatable to the audience that I'm trying to go after, that we're going after. But I look at stories as there's the external part of a story and then there's the internal part. The internal part is, again, the heartbeat or the soul of what that is. So you try to find a theme that is unifying.

For me, I try to find, I try to have a story that I think will be relatable to the audience that I'm trying to go after, that we're going after. But I look at stories as there's the external part of a story and then there's the internal part. The internal part is, again, the heartbeat or the soul of what that is. So you try to find a theme that is unifying.

So if you do a movie or television show that ultimately is about family, parenting was about family, but then goofy, arrested development was about family. Because it's about keeping family together. That will unify. That...

So if you do a movie or television show that ultimately is about family, parenting was about family, but then goofy, arrested development was about family. Because it's about keeping family together. That will unify. That...

So if you do a movie or television show that ultimately is about family, parenting was about family, but then goofy, arrested development was about family. Because it's about keeping family together. That will unify. That...

If that's part of your question. For me, when I'm directing, you always hope you've discovered that. But then, to me, I always say I choose the idea with my own heart and mind and belief. And very quickly, it ceases to be mine, and it starts to be the audience's. And it begins in pre-production. I'll start asking people. I'll pitch the idea. I'll talk about it. I'll include the crew.

If that's part of your question. For me, when I'm directing, you always hope you've discovered that. But then, to me, I always say I choose the idea with my own heart and mind and belief. And very quickly, it ceases to be mine, and it starts to be the audience's. And it begins in pre-production. I'll start asking people. I'll pitch the idea. I'll talk about it. I'll include the crew.

If that's part of your question. For me, when I'm directing, you always hope you've discovered that. But then, to me, I always say I choose the idea with my own heart and mind and belief. And very quickly, it ceases to be mine, and it starts to be the audience's. And it begins in pre-production. I'll start asking people. I'll pitch the idea. I'll talk about it. I'll include the crew.

I'm always looking for those connections, those heartbeats. And then, of course, the most edifying is when you eventually have your test screenings, which are always pretty shocking and pretty frustrating in some ways, but it's the only way to understand the way the story is communicating and the way it's landing. And then you...

I'm always looking for those connections, those heartbeats. And then, of course, the most edifying is when you eventually have your test screenings, which are always pretty shocking and pretty frustrating in some ways, but it's the only way to understand the way the story is communicating and the way it's landing. And then you...

I'm always looking for those connections, those heartbeats. And then, of course, the most edifying is when you eventually have your test screenings, which are always pretty shocking and pretty frustrating in some ways, but it's the only way to understand the way the story is communicating and the way it's landing. And then you...

to the extent that you can continue to tailor, refine, and focus, you're always searching for that relationship, that connection.

to the extent that you can continue to tailor, refine, and focus, you're always searching for that relationship, that connection.

to the extent that you can continue to tailor, refine, and focus, you're always searching for that relationship, that connection.

Pleasure. Thank you. Fun. Great. Thank you so much.

Pleasure. Thank you. Fun. Great. Thank you so much.

Pleasure. Thank you. Fun. Great. Thank you so much.