Ronan

So it was kind of like people who either won tickets or whatever.

So it was kind of, you had like members of general public, there was gasps, like there was like a full audience.

It was like people actually gasping.

And I was like, I swear to God, people were actually kind of like, Oh, like that's a bit far now.

Like it was just kind of like when he, you know, when, when full bore with his language and obviously we'll, we'll talk about it when he kind of brings the prism of nationalism into it as well.

It was hard not to kind of bristle in your seat.

But even the triptych of him going, didn't write you as a player, don't write you as a manager, don't write you as a man.

I wanted that scene to continue, if anything.

Because the film, I think, kind of wraps up almost rather abruptly when it does.

When it kind of does end, I kind of was like, oh, is that it?

I mean, I guess there's no more road to run.

But that's the best scene in the movie, the confrontation.

You're waiting for the whole time.

It's very, very well done.

And I would have watched another 10 minutes of it.

I think the most remarkable thing about the Anna Hardwick performance is that it's remarkable because the fact is when the first image for this came out and you saw them sitting side by side or social distancing, you could say, in the sauna and you saw Anna Hardwick, the first thing everyone said was he doesn't look like Roy Keane.

And he doesn't look like Roy Keane.

Roy Keane looks like Roy Keane.

And the thing is, Roy Keane is too big of a figure in Ireland for us to not see Roy Keane.

There is no actor in the world, unless you did prosthetics and makeup, to actually emulate his face.