Russell Crowe

So when that first deal then changed after 10 years and people were then charged, you know, the subscribers were paying a regular price, all of that was profit.

because he already had it working at the lower price.

I think it's something like it was $10 a head in an atmosphere where it was normally $33.

So then when that first contract finished and it went to the normal subscriber rate, you've got that difference in 77 million subscribers times an extra $23.

Where truth is one publishable option.

It gives the impression that there's more people for a particular situation than there is in fact in actual reality.

This makes the whole thing useless then, doesn't it?

What I used to do is just if anybody got on my timeline and chucked in some negative shit, I'd just block them.

Just get them out of there, you know?

That's a good move.

And for a long time it kept that sort of village of people in a sort of a comfortable place because I just got rid of, you know, those voices.

But now you have the situation where, you know, there's ads running and stuff on your timeline and you're not allowed to block it anymore.

You can't stop yourself.

You can't stop the ads.

Yeah.

But it's not – it's funny because they're running like ads or they're popping up as ads, but it's kind of –

It'll have something dark in there that then, because it's on your timeline, will attract more darkness, but you can't get rid of it anymore.

You can't just block it and chuck it out.

I mean, you can do it with individuals, but that's just a strange little thing that's happened.

I never got into Facebook.