Russell Howard

it was so electric in a way that British audiences can be kind of quite tough to kind of, you know, sort of fold the arms and you sort of know you've got them if they're kind of the tits hang free.

But I, I've always had, whether because some Americans have found me out and they're excited that I'm there, but I've always noticed the audiences more than meeting me halfway and kind of, they've seen loads of my stuff on YouTube or Netflix and,

So I'm amazed at how much they kind of know and they kind of get me.

I guess it would be a bit like, I don't know, Michael Shea or Michelle Wolfe doing gigs in London.

A lion would be funny because the look of fear in the audience. Do you know what I mean? But then when the lion starts doing ballads, that must be really bewildering.

A lion would be funny because the look of fear in the audience. Do you know what I mean? But then when the lion starts doing ballads, that must be really bewildering.

A lion would be funny because the look of fear in the audience. Do you know what I mean? But then when the lion starts doing ballads, that must be really bewildering.

If they're doing Leicester Square, the audience are going to know Michelle Wolfe.

They're not going to sort of stumble in.

So I love it.

And I kind of find it...

I find it so fascinating gigging around the country.

Like it's so brilliant to get that kind of street level knowledge of America.

And there's so many different Americas.

It's such a big country.

It's horrific. It was just, you know, and it's still going on. So it was just, it was like just this, I was, I was only there for two days, but it, you know, it suddenly became this, you know, it just disaster. And then I was flying from LA to New York to do the rest of the kind of PR and, you know, there was black smoke and there were people crying on the plane.

It's horrific. It was just, you know, and it's still going on. So it was just, it was like just this, I was, I was only there for two days, but it, you know, it suddenly became this, you know, it just disaster. And then I was flying from LA to New York to do the rest of the kind of PR and, you know, there was black smoke and there were people crying on the plane.

It's horrific. It was just, you know, and it's still going on. So it was just, it was like just this, I was, I was only there for two days, but it, you know, it suddenly became this, you know, it just disaster. And then I was flying from LA to New York to do the rest of the kind of PR and, you know, there was black smoke and there were people crying on the plane.

But it is the country that the world looks to and it's in such an interesting state of flux.

Yeah, but within that is so much kind of like social commentary and sort of like interesting comedic analysis.