Ryan Broderick

Before we move off Clavicular, like, further proof of, like, how insidious this stuff is, I was having a conversation with, like, a good reporter, like, a good internet culture fluent reporter.

And she was saying, like, oh, my God, like, the Clavicular stuff is so funny.

I think he's so funny.

And I'm like, yeah, like, he is funny, but, like, he's super racist, of course.

And she's like, what do you mean super racist?

Well, he's got, like...

tons of videos where he's just like talking about how like black people are inferior and all this stuff and she's like oh i didn't see that i just saw like the funny clips and i'm like right right and because like that's that's what that's how all of this stuff works it's like you you could and she's like i'm mortified i've been going to parties being like i think he's so funny and i'm like yeah and i bet you like 90 of the people you're talking to are like yeah he's funny

Because they also don't know that he's talking in the same streams about all kinds of fucked up stuff.

Because we only watch clips.

Because we only watch clips.

We only see the gesture maxing at the club.

We only see the gesture maxing.

I'm like, what are... You can't see it all.

You can't have it all and you can't see it all.

I always say this.

I hope this stuff is losing steam.

And I sort of think

the proof of that is that people are getting more desperate about making everything seem trad wife coded.

Like the Sydney Sweeney meltdown last summer, like to me feels very desperate.

Um, I think a vibe shift is happening, whether the right wing wanted or not.