Ryan Knutson

Yeah, I don't know how you political reporters do it. You will be in good hands with Kate Limbaugh, though, who's going to take my place and get us across the 100-day finish line. And I will certainly be listening.

Yeah, I don't know how you political reporters do it. You will be in good hands with Kate Limbaugh, though, who's going to take my place and get us across the 100-day finish line. And I will certainly be listening.

Yeah, I don't know how you political reporters do it. You will be in good hands with Kate Limbaugh, though, who's going to take my place and get us across the 100-day finish line. And I will certainly be listening.

I think I know who to email. I think I know. Yeah, I'm going to do that. Thejournalatwsj.com.

I think I know who to email. I think I know. Yeah, I'm going to do that. Thejournalatwsj.com.

I think I know who to email. I think I know. Yeah, I'm going to do that. Thejournalatwsj.com.

Yes, I'm going to do that, actually. I am literally going to do that. Watch for that. Watch the space, as they say.

Yes, I'm going to do that, actually. I am literally going to do that. Watch for that. Watch the space, as they say.

Yes, I'm going to do that, actually. I am literally going to do that. Watch for that. Watch the space, as they say.

Before we go, do you have any questions about what the Trump administration is doing? Email us and let us know. Please send a voice note to thejournalatwsj.com. That's thejournalatwsj.com. Trump 2.0 is part of The Journal, which is a co-production of Spotify and The Wall Street Journal.

Before we go, do you have any questions about what the Trump administration is doing? Email us and let us know. Please send a voice note to thejournalatwsj.com. That's thejournalatwsj.com. Trump 2.0 is part of The Journal, which is a co-production of Spotify and The Wall Street Journal.

Before we go, do you have any questions about what the Trump administration is doing? Email us and let us know. Please send a voice note to thejournalatwsj.com. That's thejournalatwsj.com. Trump 2.0 is part of The Journal, which is a co-production of Spotify and The Wall Street Journal.

This episode was produced by Enrique Perez de la Rosa with help from Alessandra Rizzo and edited by Catherine Whalen. Molly Ball is The Wall Street Journal's senior political correspondent. I'm Ryan Knudsen. This episode was engineered by Nathan Singapak. Our theme music is by So Wiley and remixed by Peter Leonard. Fact-checking by Kate Gallagher. Artwork by James Walton.

This episode was produced by Enrique Perez de la Rosa with help from Alessandra Rizzo and edited by Catherine Whalen. Molly Ball is The Wall Street Journal's senior political correspondent. I'm Ryan Knudsen. This episode was engineered by Nathan Singapak. Our theme music is by So Wiley and remixed by Peter Leonard. Fact-checking by Kate Gallagher. Artwork by James Walton.

This episode was produced by Enrique Perez de la Rosa with help from Alessandra Rizzo and edited by Catherine Whalen. Molly Ball is The Wall Street Journal's senior political correspondent. I'm Ryan Knudsen. This episode was engineered by Nathan Singapak. Our theme music is by So Wiley and remixed by Peter Leonard. Fact-checking by Kate Gallagher. Artwork by James Walton.

Trump 2.0 will be back with a new episode next Friday morning with Kate Leinbaugh. See you then.

Trump 2.0 will be back with a new episode next Friday morning with Kate Leinbaugh. See you then.

Trump 2.0 will be back with a new episode next Friday morning with Kate Leinbaugh. See you then.

In the 1990s, the Gap was cool. So cool that supermodels wore shirts and jeans by the retailer on the cover of Vogue magazine. Actress Sharon Stone wore a Gap mock turtleneck to the Academy Awards. And then there were those popular commercials with all the dancers bopping around in khakis and t-shirts.

In the 1990s, the Gap was cool. So cool that supermodels wore shirts and jeans by the retailer on the cover of Vogue magazine. Actress Sharon Stone wore a Gap mock turtleneck to the Academy Awards. And then there were those popular commercials with all the dancers bopping around in khakis and t-shirts.