Sabrina Imbler
๐ค SpeakerAppearances Over Time
Podcast Appearances
It was no longer a place I could go to lose myself. In fact, I was running out of places to lose myself. Perhaps this was the point of stopping drinking, but it did not halt my yearning for times when I could step into a karaoke room, pick up a mic, and become someone else for a few minutes. Now I'm much more myself. This is sometimes a relief, sometimes a restriction.
It was no longer a place I could go to lose myself. In fact, I was running out of places to lose myself. Perhaps this was the point of stopping drinking, but it did not halt my yearning for times when I could step into a karaoke room, pick up a mic, and become someone else for a few minutes. Now I'm much more myself. This is sometimes a relief, sometimes a restriction.
When I used to sing Lips of an Angel at karaoke, I often found myself reading the lyrics off a simple blue screen. but the fancier bars would play the actual music video. It opens with Austin John Winkler, the former lead singer of Hinder, a quasi-tatted white guy with dark stringy hair, talking to his old girl on the phone as his new girl is in the next room.
When I used to sing Lips of an Angel at karaoke, I often found myself reading the lyrics off a simple blue screen. but the fancier bars would play the actual music video. It opens with Austin John Winkler, the former lead singer of Hinder, a quasi-tatted white guy with dark stringy hair, talking to his old girl on the phone as his new girl is in the next room.
When I used to sing Lips of an Angel at karaoke, I often found myself reading the lyrics off a simple blue screen. but the fancier bars would play the actual music video. It opens with Austin John Winkler, the former lead singer of Hinder, a quasi-tatted white guy with dark stringy hair, talking to his old girl on the phone as his new girl is in the next room.
The video, like the song, is quite literal. When I duetted lips with the video, I mirrored Winkler's affect as I wailed, holding up my own quasi-tatted arms, nodding my own head of dark stringy hair. When I revisited the music video for this piece, I came across an interview with Winkler where he talked about reaching three years of sobriety after being hospitalized for liver and kidney failure.
The video, like the song, is quite literal. When I duetted lips with the video, I mirrored Winkler's affect as I wailed, holding up my own quasi-tatted arms, nodding my own head of dark stringy hair. When I revisited the music video for this piece, I came across an interview with Winkler where he talked about reaching three years of sobriety after being hospitalized for liver and kidney failure.
The video, like the song, is quite literal. When I duetted lips with the video, I mirrored Winkler's affect as I wailed, holding up my own quasi-tatted arms, nodding my own head of dark stringy hair. When I revisited the music video for this piece, I came across an interview with Winkler where he talked about reaching three years of sobriety after being hospitalized for liver and kidney failure.
He talked about addiction, a string of stints in rehab, and saying goodbye to the person he was. He talked about coming back from the other side, going to therapy, picking up a microphone again, and feeling alive.
He talked about addiction, a string of stints in rehab, and saying goodbye to the person he was. He talked about coming back from the other side, going to therapy, picking up a microphone again, and feeling alive.
He talked about addiction, a string of stints in rehab, and saying goodbye to the person he was. He talked about coming back from the other side, going to therapy, picking up a microphone again, and feeling alive.
I was struck, stupidly, by how this man I'd only ever seen lip-syncing in a cinematically jaundiced music video about the romance of cheating on your girlfriend was a real person trying to overcome something unimaginable. Something I didn't realize before quitting drinking is that sobriety is not a single decision, but an ongoing one.
I was struck, stupidly, by how this man I'd only ever seen lip-syncing in a cinematically jaundiced music video about the romance of cheating on your girlfriend was a real person trying to overcome something unimaginable. Something I didn't realize before quitting drinking is that sobriety is not a single decision, but an ongoing one.
I was struck, stupidly, by how this man I'd only ever seen lip-syncing in a cinematically jaundiced music video about the romance of cheating on your girlfriend was a real person trying to overcome something unimaginable. Something I didn't realize before quitting drinking is that sobriety is not a single decision, but an ongoing one.
I didn't realize that every sober person I know has achieved something close to a miracle by choosing survival. I didn't realize how many of the sober people I know are also trans. In my early days of testosterone karaoke, I listened to a podcast about a trans singer who had also recently started testosterone.
I didn't realize that every sober person I know has achieved something close to a miracle by choosing survival. I didn't realize how many of the sober people I know are also trans. In my early days of testosterone karaoke, I listened to a podcast about a trans singer who had also recently started testosterone.
I didn't realize that every sober person I know has achieved something close to a miracle by choosing survival. I didn't realize how many of the sober people I know are also trans. In my early days of testosterone karaoke, I listened to a podcast about a trans singer who had also recently started testosterone.
He talked about how he always feared the hormones would ruin his ability to sing and said he feared killing his sweet old voice. This framing made me bristle, as does anything that frames transition in the language of death. Even after my worst vocal cracks, I never felt any grief over a voice that was becoming less accessible, less familiar. I didn't see myself as killing anything.
He talked about how he always feared the hormones would ruin his ability to sing and said he feared killing his sweet old voice. This framing made me bristle, as does anything that frames transition in the language of death. Even after my worst vocal cracks, I never felt any grief over a voice that was becoming less accessible, less familiar. I didn't see myself as killing anything.
He talked about how he always feared the hormones would ruin his ability to sing and said he feared killing his sweet old voice. This framing made me bristle, as does anything that frames transition in the language of death. Even after my worst vocal cracks, I never felt any grief over a voice that was becoming less accessible, less familiar. I didn't see myself as killing anything.