Sam Brigger

Let's hear a little bit of Alaska.

That's Maggie Rogers' song Alaska. You know, Maggie, I'm not sure if it's because the song is called Alaska, but there's always something about the song that like for me feels like there's a coolness to it, like there's cold winds blowing. And I don't know if it's related to this, but you've said that you have synesthesia and the music has a color to you.

That's Maggie Rogers' song Alaska. You know, Maggie, I'm not sure if it's because the song is called Alaska, but there's always something about the song that like for me feels like there's a coolness to it, like there's cold winds blowing. And I don't know if it's related to this, but you've said that you have synesthesia and the music has a color to you.

That's Maggie Rogers' song Alaska. You know, Maggie, I'm not sure if it's because the song is called Alaska, but there's always something about the song that like for me feels like there's a coolness to it, like there's cold winds blowing. And I don't know if it's related to this, but you've said that you have synesthesia and the music has a color to you.

And so you often when you're writing, you create these like color mood boards for your songs. Could you describe that?

And so you often when you're writing, you create these like color mood boards for your songs. Could you describe that?

And so you often when you're writing, you create these like color mood boards for your songs. Could you describe that?

And sparse, too, kind of.

And sparse, too, kind of.

And sparse, too, kind of.

Did that also help in order to assert yourself in those situations? Would people try to get you to record things in different ways, but you had all these different ways of showing that you were really in command of these songs and that these were your creations and you knew what was best for them?

Did that also help in order to assert yourself in those situations? Would people try to get you to record things in different ways, but you had all these different ways of showing that you were really in command of these songs and that these were your creations and you knew what was best for them?

Did that also help in order to assert yourself in those situations? Would people try to get you to record things in different ways, but you had all these different ways of showing that you were really in command of these songs and that these were your creations and you knew what was best for them?

Well, Maggie Rogers, thanks so much for coming on Fresh Air.

Well, Maggie Rogers, thanks so much for coming on Fresh Air.

Well, Maggie Rogers, thanks so much for coming on Fresh Air.

Our next guest is the co-founder of the Riot Grrrl movement, musician, writer, and artist Kathleen Hanna. Her new memoir is called Rebel Grrrl, which is also the name of one of the best-known songs by her band Bikini Kill. Kathleen Hanna recently spoke about her life and work with Fresh Air's Anne-Marie Baldonado.

Our next guest is the co-founder of the Riot Grrrl movement, musician, writer, and artist Kathleen Hanna. Her new memoir is called Rebel Grrrl, which is also the name of one of the best-known songs by her band Bikini Kill. Kathleen Hanna recently spoke about her life and work with Fresh Air's Anne-Marie Baldonado.

Our next guest is the co-founder of the Riot Grrrl movement, musician, writer, and artist Kathleen Hanna. Her new memoir is called Rebel Grrrl, which is also the name of one of the best-known songs by her band Bikini Kill. Kathleen Hanna recently spoke about her life and work with Fresh Air's Anne-Marie Baldonado.

We're listening to the interview Fresh Air's Anne-Marie Baldonado recorded with Kathleen Hanna, co-founder of the bands Bikini Kill and La Tigra. Her new memoir is called Rebel Girl. We'll hear more of their conversation after a break. I'm Sam Brigger, and this is Fresh Air Weekend.