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Sam Gold

šŸ‘¤ Person
123 total appearances

Appearances Over Time

Podcast Appearances

The New Yorker Radio Hour
Sam Gold’s ā€œRomeo + Julietā€ Is Shakespeare for the Youth

And listen, theater is too obsessed with celebrity, but it's also saving the theater from financial ruin to be so obsessed with celebrity. And listen, Jeremy Strong was a brilliant actor 20 years before he was in Succession.

The New Yorker Radio Hour
Sam Gold’s ā€œRomeo + Julietā€ Is Shakespeare for the Youth

And listen, theater is too obsessed with celebrity, but it's also saving the theater from financial ruin to be so obsessed with celebrity. And listen, Jeremy Strong was a brilliant actor 20 years before he was in Succession.

The New Yorker Radio Hour
Sam Gold’s ā€œRomeo + Julietā€ Is Shakespeare for the Youth

have done multiple plays together. We grew up together. We've been friends since college. I don't think of him as Kendall Roy from Succession at all. That's like very low on my list of references in my mind to the work of Jeremy Strong. So maybe I... underestimated that most people's relationship to Jeremy is much different than mine.

The New Yorker Radio Hour
Sam Gold’s ā€œRomeo + Julietā€ Is Shakespeare for the Youth

have done multiple plays together. We grew up together. We've been friends since college. I don't think of him as Kendall Roy from Succession at all. That's like very low on my list of references in my mind to the work of Jeremy Strong. So maybe I... underestimated that most people's relationship to Jeremy is much different than mine.

The New Yorker Radio Hour
Sam Gold’s ā€œRomeo + Julietā€ Is Shakespeare for the Youth

have done multiple plays together. We grew up together. We've been friends since college. I don't think of him as Kendall Roy from Succession at all. That's like very low on my list of references in my mind to the work of Jeremy Strong. So maybe I... underestimated that most people's relationship to Jeremy is much different than mine.

The New Yorker Radio Hour
Sam Gold’s ā€œRomeo + Julietā€ Is Shakespeare for the Youth

And I didn't really think about Kendall Roy, and maybe I should have.

The New Yorker Radio Hour
Sam Gold’s ā€œRomeo + Julietā€ Is Shakespeare for the Youth

And I didn't really think about Kendall Roy, and maybe I should have.

The New Yorker Radio Hour
Sam Gold’s ā€œRomeo + Julietā€ Is Shakespeare for the Youth

And I didn't really think about Kendall Roy, and maybe I should have.

The New Yorker Radio Hour
Sam Gold’s ā€œRomeo + Julietā€ Is Shakespeare for the Youth

Yes, we have made this term and sort of... You know, when Richard Burton was playing Hamlet and Elizabeth Taylor would sit in the balcony to watch... everyone would line up around the fucking block to try to see Liz Taylor, right? They weren't coming for Richard Burton's Hamlet. They were coming to see Elizabeth Taylor. And that's always been the case.

The New Yorker Radio Hour
Sam Gold’s ā€œRomeo + Julietā€ Is Shakespeare for the Youth

Yes, we have made this term and sort of... You know, when Richard Burton was playing Hamlet and Elizabeth Taylor would sit in the balcony to watch... everyone would line up around the fucking block to try to see Liz Taylor, right? They weren't coming for Richard Burton's Hamlet. They were coming to see Elizabeth Taylor. And that's always been the case.

The New Yorker Radio Hour
Sam Gold’s ā€œRomeo + Julietā€ Is Shakespeare for the Youth

Yes, we have made this term and sort of... You know, when Richard Burton was playing Hamlet and Elizabeth Taylor would sit in the balcony to watch... everyone would line up around the fucking block to try to see Liz Taylor, right? They weren't coming for Richard Burton's Hamlet. They were coming to see Elizabeth Taylor. And that's always been the case.

The New Yorker Radio Hour
Sam Gold’s ā€œRomeo + Julietā€ Is Shakespeare for the Youth

And I think it was the case in Shakespeare's time. And there's nothing I'm enjoying more right now than the fact that there's 19-year-old audience members hearing and understanding the poetry of Shakespeare and then being so excited at the end that they want to stand for an hour to meet the person that delivered that language. And I do think that's part of it.

The New Yorker Radio Hour
Sam Gold’s ā€œRomeo + Julietā€ Is Shakespeare for the Youth

And I think it was the case in Shakespeare's time. And there's nothing I'm enjoying more right now than the fact that there's 19-year-old audience members hearing and understanding the poetry of Shakespeare and then being so excited at the end that they want to stand for an hour to meet the person that delivered that language. And I do think that's part of it.

The New Yorker Radio Hour
Sam Gold’s ā€œRomeo + Julietā€ Is Shakespeare for the Youth

And I think it was the case in Shakespeare's time. And there's nothing I'm enjoying more right now than the fact that there's 19-year-old audience members hearing and understanding the poetry of Shakespeare and then being so excited at the end that they want to stand for an hour to meet the person that delivered that language. And I do think that's part of it.

The New Yorker Radio Hour
Sam Gold’s ā€œRomeo + Julietā€ Is Shakespeare for the Youth

Part of it is that they love Heartstopper. Part of it is that they're addicted to their phones. But part of it is that the play lit them up. But I don't think it's a bad thing for the theater that these young people are – I mean, our stage door is crazy. I saw it, dude. And I don't think that's a bad thing. No, it seemed like a sign of health.

The New Yorker Radio Hour
Sam Gold’s ā€œRomeo + Julietā€ Is Shakespeare for the Youth

Part of it is that they love Heartstopper. Part of it is that they're addicted to their phones. But part of it is that the play lit them up. But I don't think it's a bad thing for the theater that these young people are – I mean, our stage door is crazy. I saw it, dude. And I don't think that's a bad thing. No, it seemed like a sign of health.

The New Yorker Radio Hour
Sam Gold’s ā€œRomeo + Julietā€ Is Shakespeare for the Youth

Part of it is that they love Heartstopper. Part of it is that they're addicted to their phones. But part of it is that the play lit them up. But I don't think it's a bad thing for the theater that these young people are – I mean, our stage door is crazy. I saw it, dude. And I don't think that's a bad thing. No, it seemed like a sign of health.

The New Yorker Radio Hour
Sam Gold’s ā€œRomeo + Julietā€ Is Shakespeare for the Youth

Yeah, like if those people come see another play, people need theater. Yes. We know we need to get in a room and tell stories. It is not good. No one thinks, like the Surgeon General is telling you, it is not good to be at home looking at social media all the time. We are in a mental health crisis. Teen suicide. I'm doing a play about teen suicide, right? I'm doing a play about teen suicide.

The New Yorker Radio Hour
Sam Gold’s ā€œRomeo + Julietā€ Is Shakespeare for the Youth

Yeah, like if those people come see another play, people need theater. Yes. We know we need to get in a room and tell stories. It is not good. No one thinks, like the Surgeon General is telling you, it is not good to be at home looking at social media all the time. We are in a mental health crisis. Teen suicide. I'm doing a play about teen suicide, right? I'm doing a play about teen suicide.

The New Yorker Radio Hour
Sam Gold’s ā€œRomeo + Julietā€ Is Shakespeare for the Youth

Yeah, like if those people come see another play, people need theater. Yes. We know we need to get in a room and tell stories. It is not good. No one thinks, like the Surgeon General is telling you, it is not good to be at home looking at social media all the time. We are in a mental health crisis. Teen suicide. I'm doing a play about teen suicide, right? I'm doing a play about teen suicide.