Saoirse Ronan

I want to go where culture is, like New York, or at least Connecticut or New Hampshire, where writers live in the woods.

I want to go where culture is, like New York, or at least Connecticut or New Hampshire, where writers live in the woods.

I want to go where culture is, like New York, or at least Connecticut or New Hampshire, where writers live in the woods.

Because you wouldn't let me practice enough.

Because you wouldn't let me practice enough.

Because you wouldn't let me practice enough.

Yeah, I mean, I guess the really interesting thing at the time was that I couldn't relate to that at all with my mam. But at the time, I was 22, I think, and I needed my mam desperately and really couldn't relate to that too much.

Yeah, I mean, I guess the really interesting thing at the time was that I couldn't relate to that at all with my mam. But at the time, I was 22, I think, and I needed my mam desperately and really couldn't relate to that too much.

Yeah, I mean, I guess the really interesting thing at the time was that I couldn't relate to that at all with my mam. But at the time, I was 22, I think, and I needed my mam desperately and really couldn't relate to that too much.

But I think my internal struggle as a young person at that point and feeling very chaotic in my head and very hormonal and very out of control is what really fed that performance. And conversations that I had with Greta, of course, really informed that as well. But also Laurie and I just kind of built something that was very... It was very personal for us.

But I think my internal struggle as a young person at that point and feeling very chaotic in my head and very hormonal and very out of control is what really fed that performance. And conversations that I had with Greta, of course, really informed that as well. But also Laurie and I just kind of built something that was very... It was very personal for us.

But I think my internal struggle as a young person at that point and feeling very chaotic in my head and very hormonal and very out of control is what really fed that performance. And conversations that I had with Greta, of course, really informed that as well. But also Laurie and I just kind of built something that was very... It was very personal for us.

It was our relationship that we built and we got on so well off screen and we just had so much fun doing those scenes together because we, I don't know, I feel like sometimes when you've got distance from a relationship like that, or you're not as in it in real life, you can enjoy it so much more and kind of have clarity on it. So, yeah, so it was just, it was just really, it was just so fun.

It was our relationship that we built and we got on so well off screen and we just had so much fun doing those scenes together because we, I don't know, I feel like sometimes when you've got distance from a relationship like that, or you're not as in it in real life, you can enjoy it so much more and kind of have clarity on it. So, yeah, so it was just, it was just really, it was just so fun.

It was our relationship that we built and we got on so well off screen and we just had so much fun doing those scenes together because we, I don't know, I feel like sometimes when you've got distance from a relationship like that, or you're not as in it in real life, you can enjoy it so much more and kind of have clarity on it. So, yeah, so it was just, it was just really, it was just so fun.

I just loved working with her.

I just loved working with her.

I just loved working with her.

Put simply, what I love and admire most about Greta is that she loves actors. She is not afraid of actors. She's not intimidated by them. She knows how to handle them. She gives them support and structure, but also allows them to just play and be free and And it's quite incredible how many directors can't seem to do that. She enjoys being on set so much.

Put simply, what I love and admire most about Greta is that she loves actors. She is not afraid of actors. She's not intimidated by them. She knows how to handle them. She gives them support and structure, but also allows them to just play and be free and And it's quite incredible how many directors can't seem to do that. She enjoys being on set so much.