Sarah Snook

You're playing all the other guests, yes. But, you know, like, I don't think of them as me at all. I think of them as... The characters. I mean, I can only see a kind of a side version of them as well because the screen is obviously not three-dimensional.

You're playing all the other guests, yes. But, you know, like, I don't think of them as me at all. I think of them as... The characters. I mean, I can only see a kind of a side version of them as well because the screen is obviously not three-dimensional.

But weirdly enough, because it's six different people and, you know, each of those was shot individually and then comped together and, you know, there's the kind of magic of that. They're all doing different things at different times and I've... You know, the more you look at the visual... the more you can find something new.

But weirdly enough, because it's six different people and, you know, each of those was shot individually and then comped together and, you know, there's the kind of magic of that. They're all doing different things at different times and I've... You know, the more you look at the visual... the more you can find something new.

But weirdly enough, because it's six different people and, you know, each of those was shot individually and then comped together and, you know, there's the kind of magic of that. They're all doing different things at different times and I've... You know, the more you look at the visual... the more you can find something new.

There's something that I didn't realize or I'd forgotten that I'd done as the Duchess that is quite nice to play off of against and to be like, oh, she's thinking that there. That's funny. Which is, you know, I can't do anything with that verbally, but I can use it to act opposite and to create something new for Lord Henry's performance.

There's something that I didn't realize or I'd forgotten that I'd done as the Duchess that is quite nice to play off of against and to be like, oh, she's thinking that there. That's funny. Which is, you know, I can't do anything with that verbally, but I can use it to act opposite and to create something new for Lord Henry's performance.

There's something that I didn't realize or I'd forgotten that I'd done as the Duchess that is quite nice to play off of against and to be like, oh, she's thinking that there. That's funny. Which is, you know, I can't do anything with that verbally, but I can use it to act opposite and to create something new for Lord Henry's performance.

Yeah, I mean, it is a lot of fun to do. And the narrator really is, in a sense, funny. Oscar Wilde. I'm not playing him as a character, but there is his energy and his wit is definitely infused naturally into that role because it is the character based on the prose of the book. Kip's turned a Victorian novel into a a play and a Victorian novel that wasn't meant to be read out loud.

Yeah, I mean, it is a lot of fun to do. And the narrator really is, in a sense, funny. Oscar Wilde. I'm not playing him as a character, but there is his energy and his wit is definitely infused naturally into that role because it is the character based on the prose of the book. Kip's turned a Victorian novel into a a play and a Victorian novel that wasn't meant to be read out loud.

Yeah, I mean, it is a lot of fun to do. And the narrator really is, in a sense, funny. Oscar Wilde. I'm not playing him as a character, but there is his energy and his wit is definitely infused naturally into that role because it is the character based on the prose of the book. Kip's turned a Victorian novel into a a play and a Victorian novel that wasn't meant to be read out loud.

It wasn't like a Dickens or anything like that. It was meant to be read and in episodic form in a way. So it's somewhat difficult to turn that into dialogue as well as into something that is accessible to an audience now. And part of creating that has been to keep the wit that Oscar Wilde has inherently in that text.

It wasn't like a Dickens or anything like that. It was meant to be read and in episodic form in a way. So it's somewhat difficult to turn that into dialogue as well as into something that is accessible to an audience now. And part of creating that has been to keep the wit that Oscar Wilde has inherently in that text.

It wasn't like a Dickens or anything like that. It was meant to be read and in episodic form in a way. So it's somewhat difficult to turn that into dialogue as well as into something that is accessible to an audience now. And part of creating that has been to keep the wit that Oscar Wilde has inherently in that text.

I think because I, you know, personally, I don't have any experience, you know, by association or proximity with wealth at that level. But I also, I guess I didn't, I didn't understand the show so much. And I didn't, I didn't at that time want to be a secondary kind of handbag character to the men in the show who were going to be

I think because I, you know, personally, I don't have any experience, you know, by association or proximity with wealth at that level. But I also, I guess I didn't, I didn't understand the show so much. And I didn't, I didn't at that time want to be a secondary kind of handbag character to the men in the show who were going to be

I think because I, you know, personally, I don't have any experience, you know, by association or proximity with wealth at that level. But I also, I guess I didn't, I didn't understand the show so much. And I didn't, I didn't at that time want to be a secondary kind of handbag character to the men in the show who were going to be

I think billions had just come out and I was like, oh yeah, I can see that. It's straight white men in business and there's no room for me there. So I don't think I'll have a very interesting through line and maybe I don't think I'm going to get this role anyway. I don't want to audition.

I think billions had just come out and I was like, oh yeah, I can see that. It's straight white men in business and there's no room for me there. So I don't think I'll have a very interesting through line and maybe I don't think I'm going to get this role anyway. I don't want to audition.

I think billions had just come out and I was like, oh yeah, I can see that. It's straight white men in business and there's no room for me there. So I don't think I'll have a very interesting through line and maybe I don't think I'm going to get this role anyway. I don't want to audition.