Sarah Snook

I was emancipated at 15 and living on my own for about, I don't know, half a year or something before I got Dawson's Creek. And so I was coming from Los Angeles and this sort of idea of, you know, if you can get a national commercial, it'll last you a year. And that's what I wanted for myself. If you could get on a TV show, you could support yourself. And that's what I wanted for myself.

I was emancipated at 15 and living on my own for about, I don't know, half a year or something before I got Dawson's Creek. And so I was coming from Los Angeles and this sort of idea of, you know, if you can get a national commercial, it'll last you a year. And that's what I wanted for myself. If you could get on a TV show, you could support yourself. And that's what I wanted for myself.

And then I went to New York City and I thought I was introduced to this whole other expression of the medium that I'd never been exposed to, I think, before. And growing up, I'd just seen The Sound of Music and Mary Poppins and things like that. I didn't really know what was possible. And then I started to make New York City home. I did my first play there when I was 18.

And then I went to New York City and I thought I was introduced to this whole other expression of the medium that I'd never been exposed to, I think, before. And growing up, I'd just seen The Sound of Music and Mary Poppins and things like that. I didn't really know what was possible. And then I started to make New York City home. I did my first play there when I was 18.

And then I went to New York City and I thought I was introduced to this whole other expression of the medium that I'd never been exposed to, I think, before. And growing up, I'd just seen The Sound of Music and Mary Poppins and things like that. I didn't really know what was possible. And then I started to make New York City home. I did my first play there when I was 18.

And it became the place that I would spend the summers and the weekends and just kind of a place that I thought, oh, I could make a life for myself here.

And it became the place that I would spend the summers and the weekends and just kind of a place that I thought, oh, I could make a life for myself here.

And it became the place that I would spend the summers and the weekends and just kind of a place that I thought, oh, I could make a life for myself here.

I am constantly confronted by the things that I don't know and real gaps where information should be. Geography. Geography. Okay, yeah. I could go on and on. But I think maybe that's why work has become, you know, that's my conduit to the world. That's my, this is the thing that I've spent the most time trying to gain an understanding of and why it was so important to me because

I am constantly confronted by the things that I don't know and real gaps where information should be. Geography. Geography. Okay, yeah. I could go on and on. But I think maybe that's why work has become, you know, that's my conduit to the world. That's my, this is the thing that I've spent the most time trying to gain an understanding of and why it was so important to me because

I am constantly confronted by the things that I don't know and real gaps where information should be. Geography. Geography. Okay, yeah. I could go on and on. But I think maybe that's why work has become, you know, that's my conduit to the world. That's my, this is the thing that I've spent the most time trying to gain an understanding of and why it was so important to me because

Without it, I really had nothing to show for myself. I had no institution behind me that said, I accredit you in this particular way. And so then where do you get a good feeling about yourself? So my work has meant so much to me because it's been, it was where I got to know myself.

Without it, I really had nothing to show for myself. I had no institution behind me that said, I accredit you in this particular way. And so then where do you get a good feeling about yourself? So my work has meant so much to me because it's been, it was where I got to know myself.

Without it, I really had nothing to show for myself. I had no institution behind me that said, I accredit you in this particular way. And so then where do you get a good feeling about yourself? So my work has meant so much to me because it's been, it was where I got to know myself.

And I thought, well, maybe if I could get a little bit good at this thing, I could get a little bit of that self-esteem back.

And I thought, well, maybe if I could get a little bit good at this thing, I could get a little bit of that self-esteem back.

And I thought, well, maybe if I could get a little bit good at this thing, I could get a little bit of that self-esteem back.

I see this as an acknowledgment of what is possible when a woman is trusted to discern her own needs, feels safe enough to voice them, and respected enough that they'll be heard. When I asked for more dance classes, I heard yes. More voice lessons, yes. A different wig, a pair of fake teeth not made out of rubber, yes.

I see this as an acknowledgment of what is possible when a woman is trusted to discern her own needs, feels safe enough to voice them, and respected enough that they'll be heard. When I asked for more dance classes, I heard yes. More voice lessons, yes. A different wig, a pair of fake teeth not made out of rubber, yes.

I see this as an acknowledgment of what is possible when a woman is trusted to discern her own needs, feels safe enough to voice them, and respected enough that they'll be heard. When I asked for more dance classes, I heard yes. More voice lessons, yes. A different wig, a pair of fake teeth not made out of rubber, yes.