Sarrah Le Marquand

I love it.

And I really would have imagined you, you know, the old... Being more elegant.

I mean, actually not surprising, the pen and the paper, that.

And you're right, like neurologically, I mean, I think it's neurologically, but there's definitely a real link to it.

But I would have thought, you know, there'd be some beautiful journal or something.

I love, like, pieces of paper being blue tacked to the wall.

On some of those pieces of paper with the campaign that you're working with Vici for, there'd be things that will be, you know, shoot this cover, shoot this campaign.

I imagine there'll be TV and a lot of social media activity coming up on the cover of Stella today.

How do you feel about that part of your life, given what we've touched upon, that you live such a high profile public life for the first couple of decades of your career?

And now you're part of your work that you do, as we've touched upon, is anonymous and behind the scenes.

How do you feel when you're doing something front facing as part of this campaign?

Yeah.

Well, my final question, Jodie, was thinking about your daughter being 12 and I imagine, like all parents, you're seeing the world through her eyes and the things she's discovering and what's different from your experience of when you were 12 and what's completely universal and, wow, really things haven't changed in some ways.

In the context of that, what would you say to 12-year-old Jodie?

And we know that that thread was there when you were 12, because as we've talked about, that's the thread that's followed you through all of the different chapters of your life and everything that we've touched upon.

Keeps me on the path.

It's interesting.

I think we've all got it.

Yeah, I think just some of us are less aware of it than others.

But it's been so interesting talking to you today.