Savan Kotecha
๐ค SpeakerAppearances Over Time
Podcast Appearances
You know, we did do the Paw Patrol song for the Paw Patrol movie or Ron's Gone Wrong and doing things that I think my kids would like. And then I got a call to do this great movie I'm super excited about called The Idea View, where we're launching this band, this boy band, August Moon. You can follow on TikTok at August Moon.
You know, we did do the Paw Patrol song for the Paw Patrol movie or Ron's Gone Wrong and doing things that I think my kids would like. And then I got a call to do this great movie I'm super excited about called The Idea View, where we're launching this band, this boy band, August Moon. You can follow on TikTok at August Moon.
And their first song just launched a few days ago, which we're super excited about.
And their first song just launched a few days ago, which we're super excited about.
And their first song just launched a few days ago, which we're super excited about.
Thank you so much. Dance Before We Walk. Dance Before We Walk, yeah. It's a great song. Yeah, thank you. They're great. I mean, it's a fun project to sort of create a band in a film and blend it with the real world. And seeing the reaction has been so fun. And the film's closing South by Southwest. It'll be out May 2nd.
Thank you so much. Dance Before We Walk. Dance Before We Walk, yeah. It's a great song. Yeah, thank you. They're great. I mean, it's a fun project to sort of create a band in a film and blend it with the real world. And seeing the reaction has been so fun. And the film's closing South by Southwest. It'll be out May 2nd.
Thank you so much. Dance Before We Walk. Dance Before We Walk, yeah. It's a great song. Yeah, thank you. They're great. I mean, it's a fun project to sort of create a band in a film and blend it with the real world. And seeing the reaction has been so fun. And the film's closing South by Southwest. It'll be out May 2nd.
So it's going to be fun to go to South by Southwest with the film closing South by Southwest after this. how I started when I was a teenager sneaking into Southwest, you know, so it's kind of a fun circle. Yeah.
So it's going to be fun to go to South by Southwest with the film closing South by Southwest after this. how I started when I was a teenager sneaking into Southwest, you know, so it's kind of a fun circle. Yeah.
So it's going to be fun to go to South by Southwest with the film closing South by Southwest after this. how I started when I was a teenager sneaking into Southwest, you know, so it's kind of a fun circle. Yeah.
Yeah.
Yeah.
Yeah.
It goes back to the old days of me doing stuff. You know what I mean? Like once I started working with like the Ariana's and the Ellie's and then you're writing, you're writing with an artist, an artist has a vision or you're collaborating on a vision.
It goes back to the old days of me doing stuff. You know what I mean? Like once I started working with like the Ariana's and the Ellie's and then you're writing, you're writing with an artist, an artist has a vision or you're collaborating on a vision.
It goes back to the old days of me doing stuff. You know what I mean? Like once I started working with like the Ariana's and the Ellie's and then you're writing, you're writing with an artist, an artist has a vision or you're collaborating on a vision.
Um, but the artist has a, such an important and strong sort of point of view that you're, you're basically in the service industry to that artist and their vision, right. And their point of view. Um, before those days you would be writing for like, you know, Simon Cowell's bands like Westlife or Shane Ward or some of these UK acts and you're writing basically for the record labels taste.
Um, but the artist has a, such an important and strong sort of point of view that you're, you're basically in the service industry to that artist and their vision, right. And their point of view. Um, before those days you would be writing for like, you know, Simon Cowell's bands like Westlife or Shane Ward or some of these UK acts and you're writing basically for the record labels taste.
Um, but the artist has a, such an important and strong sort of point of view that you're, you're basically in the service industry to that artist and their vision, right. And their point of view. Um, before those days you would be writing for like, you know, Simon Cowell's bands like Westlife or Shane Ward or some of these UK acts and you're writing basically for the record labels taste.