Scott Frank

There are things, I just read something not too long ago, where I said, you don't want to get rid of this writer. This writer can write. No one is having the right conversation about the script. You don't want to get rid of them. And I wish I had been mature enough

There are things, I just read something not too long ago, where I said, you don't want to get rid of this writer. This writer can write. No one is having the right conversation about the script. You don't want to get rid of them. And I wish I had been mature enough

Or smart enough to recognize that, because there are probably many times where that had happened of the 50 or 60 or so things I've done over the years. There's a lot of them. And there are many jobs that I didn't do. Where you didn't stand up for the other guy, you mean? Not that I didn't stand up for the other guy, but that I didn't realize that they don't need me.

Or smart enough to recognize that, because there are probably many times where that had happened of the 50 or 60 or so things I've done over the years. There's a lot of them. And there are many jobs that I didn't do. Where you didn't stand up for the other guy, you mean? Not that I didn't stand up for the other guy, but that I didn't realize that they don't need me.

Or smart enough to recognize that, because there are probably many times where that had happened of the 50 or 60 or so things I've done over the years. There's a lot of them. And there are many jobs that I didn't do. Where you didn't stand up for the other guy, you mean? Not that I didn't stand up for the other guy, but that I didn't realize that they don't need me.

There's something else going on here. This is another thing. And listen, as writers, we're also frequently our own worst enemy. Sometimes it's just a Personal lack of communication. Right, but also...

There's something else going on here. This is another thing. And listen, as writers, we're also frequently our own worst enemy. Sometimes it's just a Personal lack of communication. Right, but also...

There's something else going on here. This is another thing. And listen, as writers, we're also frequently our own worst enemy. Sometimes it's just a Personal lack of communication. Right, but also...

Nein, das ist, weil er, das ist wirklich klug, weil... He has, the thing, the good thing is that he has endless resources in terms of people he can talk to. So there's always ideas coming in, all new things. So if there's a way to make him better, he's agnostic in terms of who's making it better. He has his ideas and he just wants to see those ideas made manifest.

Nein, das ist, weil er, das ist wirklich klug, weil... He has, the thing, the good thing is that he has endless resources in terms of people he can talk to. So there's always ideas coming in, all new things. So if there's a way to make him better, he's agnostic in terms of who's making it better. He has his ideas and he just wants to see those ideas made manifest.

Nein, das ist, weil er, das ist wirklich klug, weil... He has, the thing, the good thing is that he has endless resources in terms of people he can talk to. So there's always ideas coming in, all new things. So if there's a way to make him better, he's agnostic in terms of who's making it better. He has his ideas and he just wants to see those ideas made manifest.

So it's not really a personal thing for him. It's just like, I need this done. Can this person get it done or can that person get it done? Right.

So it's not really a personal thing for him. It's just like, I need this done. Can this person get it done or can that person get it done? Right.

So it's not really a personal thing for him. It's just like, I need this done. Can this person get it done or can that person get it done? Right.

No, it was an original script. By you? No, I came in later. Charles Randolph wrote an original script. Und das Problem mit dem Skript, aus Sidneys Sicht, war, dass es eine sehr überraschende Endung hatte. Eine Art 6-Sense-Endung. Das war, als sie all die Vogue an der Zeit waren. Es funktionierte nicht mehr, um so einen Film zu machen. Es war nicht eine menschliche Geschichte.

No, it was an original script. By you? No, I came in later. Charles Randolph wrote an original script. Und das Problem mit dem Skript, aus Sidneys Sicht, war, dass es eine sehr überraschende Endung hatte. Eine Art 6-Sense-Endung. Das war, als sie all die Vogue an der Zeit waren. Es funktionierte nicht mehr, um so einen Film zu machen. Es war nicht eine menschliche Geschichte.

No, it was an original script. By you? No, I came in later. Charles Randolph wrote an original script. Und das Problem mit dem Skript, aus Sidneys Sicht, war, dass es eine sehr überraschende Endung hatte. Eine Art 6-Sense-Endung. Das war, als sie all die Vogue an der Zeit waren. Es funktionierte nicht mehr, um so einen Film zu machen. Es war nicht eine menschliche Geschichte.

Es war, aber es hielt auch auf diesem Zwist an. Alles wurde auf den Zwist gelegt. And so what Sidney wanted to do, which was, I think, a great idea, what Sidney really wanted to do was make a movie about someone who believes with her whole heart in diplomacy, but ends up with a gun in her hand at the end. How do you do that? How does that happen?

Es war, aber es hielt auch auf diesem Zwist an. Alles wurde auf den Zwist gelegt. And so what Sidney wanted to do, which was, I think, a great idea, what Sidney really wanted to do was make a movie about someone who believes with her whole heart in diplomacy, but ends up with a gun in her hand at the end. How do you do that? How does that happen?

Es war, aber es hielt auch auf diesem Zwist an. Alles wurde auf den Zwist gelegt. And so what Sidney wanted to do, which was, I think, a great idea, what Sidney really wanted to do was make a movie about someone who believes with her whole heart in diplomacy, but ends up with a gun in her hand at the end. How do you do that? How does that happen?