Scott Frank

Or being in the moment, being comfortable being uncomfortable.

I can do that. I don't know that I could. I had to kind of fix everything right away. And the irony is, in work, I'm a big believer in... You know, when it comes to writing especially, it's messy. You have to be comfortable with it being wrong until it's right for a year or two or whenever, however long it takes. It's just messy. I don't know how you do it.

I can do that. I don't know that I could. I had to kind of fix everything right away. And the irony is, in work, I'm a big believer in... You know, when it comes to writing especially, it's messy. You have to be comfortable with it being wrong until it's right for a year or two or whenever, however long it takes. It's just messy. I don't know how you do it.

I can do that. I don't know that I could. I had to kind of fix everything right away. And the irony is, in work, I'm a big believer in... You know, when it comes to writing especially, it's messy. You have to be comfortable with it being wrong until it's right for a year or two or whenever, however long it takes. It's just messy. I don't know how you do it.

It's why I hate all these, you know, a lot of the film school programs and books and podcasts and things that try to organize it and turn you into a good student. You know, I really think that the great stuff comes from the mess and the happy accidents, but you have to really... Ich meine, ich denke, das ist das Schwierigste.

It's why I hate all these, you know, a lot of the film school programs and books and podcasts and things that try to organize it and turn you into a good student. You know, I really think that the great stuff comes from the mess and the happy accidents, but you have to really... Ich meine, ich denke, das ist das Schwierigste.

It's why I hate all these, you know, a lot of the film school programs and books and podcasts and things that try to organize it and turn you into a good student. You know, I really think that the great stuff comes from the mess and the happy accidents, but you have to really... Ich meine, ich denke, das ist das Schwierigste.

Ich denke, dass Menschen, die in das Schreiben kommen, ohne es wirklich zu tun haben.

Ich denke, dass Menschen, die in das Schreiben kommen, ohne es wirklich zu tun haben.

Ich denke, dass Menschen, die in das Schreiben kommen, ohne es wirklich zu tun haben.

No, listen, this is one of my favorite subjects. And it's the talent or the way of thinking even. And so they tell you, if you just follow everything that's in here. Yeah, and then you write. You have an outline, you have this, and you read scripts and things where people are behaving because the script says so.

No, listen, this is one of my favorite subjects. And it's the talent or the way of thinking even. And so they tell you, if you just follow everything that's in here. Yeah, and then you write. You have an outline, you have this, and you read scripts and things where people are behaving because the script says so.

No, listen, this is one of my favorite subjects. And it's the talent or the way of thinking even. And so they tell you, if you just follow everything that's in here. Yeah, and then you write. You have an outline, you have this, and you read scripts and things where people are behaving because the script says so.

Was es ist, ist, dass es ein paar Minuten am Tag gibt, wo es wirklich gut geht. Ja. Wo es subkonsensiv ist. Und ich spreche immer darüber. Es ist wie dieses Ball von Dough, das auf dem Tisch landet. Und du fängst an, das Ball von Dough auszulösen. Richtig. Und als es dünner und dünner wird, hoffst du, dass es noch einen gibt. Oh, richtig.

Was es ist, ist, dass es ein paar Minuten am Tag gibt, wo es wirklich gut geht. Ja. Wo es subkonsensiv ist. Und ich spreche immer darüber. Es ist wie dieses Ball von Dough, das auf dem Tisch landet. Und du fängst an, das Ball von Dough auszulösen. Richtig. Und als es dünner und dünner wird, hoffst du, dass es noch einen gibt. Oh, richtig.

Was es ist, ist, dass es ein paar Minuten am Tag gibt, wo es wirklich gut geht. Ja. Wo es subkonsensiv ist. Und ich spreche immer darüber. Es ist wie dieses Ball von Dough, das auf dem Tisch landet. Und du fängst an, das Ball von Dough auszulösen. Richtig. Und als es dünner und dünner wird, hoffst du, dass es noch einen gibt. Oh, richtig.

There are a few movies that I... There's nothing wrong. They're absolutely perfect movies. Sicario, I would absolutely... You can put that on the list. Right. Three Kings.

There are a few movies that I... There's nothing wrong. They're absolutely perfect movies. Sicario, I would absolutely... You can put that on the list. Right. Three Kings.

There are a few movies that I... There's nothing wrong. They're absolutely perfect movies. Sicario, I would absolutely... You can put that on the list. Right. Three Kings.

Grown-up movies. For grown-up people. Right, where they never get together. The couple never gets together. That was his thing. I've had some really good mentors in my life. I've been really lucky that way. Who was the first one? Lindsay Duran, great producer, was the first one who taught me how to write. Then Sidney, then Bill Goldman. Okay. Oh, Bill Goldman, ja. Bill Goldman.