Scott Frank

It freed me up. It was like, it was like, I mean, two things happened. One, I think going on Zoloft at that time. Yeah. Two, I think working on the book and just hearing, just listening. Ja. Ja.

It freed me up. It was like, it was like, I mean, two things happened. One, I think going on Zoloft at that time. Yeah. Two, I think working on the book and just hearing, just listening. Ja. Ja.

It freed me up. It was like, it was like, I mean, two things happened. One, I think going on Zoloft at that time. Yeah. Two, I think working on the book and just hearing, just listening. Ja. Ja.

And he's Michael Clayton, right? Yes, he's Michael Clayton. He's Andor right now. He's unbelievable. The best. Yeah, I talked to him. And, you know, we've known each other forever and maybe even longer than I've known Stephen, I think. But I showed them a cut of A Walk Among the Tombstones and the two of them just ate my lunch. I mean, I got vertigo walking home from that.

And he's Michael Clayton, right? Yes, he's Michael Clayton. He's Andor right now. He's unbelievable. The best. Yeah, I talked to him. And, you know, we've known each other forever and maybe even longer than I've known Stephen, I think. But I showed them a cut of A Walk Among the Tombstones and the two of them just ate my lunch. I mean, I got vertigo walking home from that.

And he's Michael Clayton, right? Yes, he's Michael Clayton. He's Andor right now. He's unbelievable. The best. Yeah, I talked to him. And, you know, we've known each other forever and maybe even longer than I've known Stephen, I think. But I showed them a cut of A Walk Among the Tombstones and the two of them just ate my lunch. I mean, I got vertigo walking home from that.

Yeah, yeah, yeah. Yeah. Aber der Versuch, etwas einfacher zu machen als ein Filmmacher, macht es eleganter. Und um es einfacher zu machen, musst du echte Regeln für dich haben. Und danach habe ich Hoke gemacht, wo ich experimentiert habe. Und dann hat Godless das wirklich für mich solidifiziert. Und Queen's Gambit.

Yeah, yeah, yeah. Yeah. Aber der Versuch, etwas einfacher zu machen als ein Filmmacher, macht es eleganter. Und um es einfacher zu machen, musst du echte Regeln für dich haben. Und danach habe ich Hoke gemacht, wo ich experimentiert habe. Und dann hat Godless das wirklich für mich solidifiziert. Und Queen's Gambit.

Yeah, yeah, yeah. Yeah. Aber der Versuch, etwas einfacher zu machen als ein Filmmacher, macht es eleganter. Und um es einfacher zu machen, musst du echte Regeln für dich haben. Und danach habe ich Hoke gemacht, wo ich experimentiert habe. Und dann hat Godless das wirklich für mich solidifiziert. Und Queen's Gambit.

Absolutely meticulous and it was really instead of trying to overcomplicate it, how do I really make this simple? How do I choreograph or block certain things? You make it about her. You make it about her, but it's even the filmmaking. How are you telling the story? And I relied more and more and on Monsieur Spade, I really experimented with this.

Absolutely meticulous and it was really instead of trying to overcomplicate it, how do I really make this simple? How do I choreograph or block certain things? You make it about her. You make it about her, but it's even the filmmaking. How are you telling the story? And I relied more and more and on Monsieur Spade, I really experimented with this.

Absolutely meticulous and it was really instead of trying to overcomplicate it, how do I really make this simple? How do I choreograph or block certain things? You make it about her. You make it about her, but it's even the filmmaking. How are you telling the story? And I relied more and more and on Monsieur Spade, I really experimented with this.

How much story can you tell in a single composition? Wie viel kannst du erzählen? He's a hell of a filmmaker. Hell of a filmmaker. And a lot of these young horror filmmakers are doing that. Well, that's where it's all happening. It's fascinating to me. And so in Godless, I shot almost all of it with a 25 millimeter lens. And it's like, what can we do? And you still have to pace.

How much story can you tell in a single composition? Wie viel kannst du erzählen? He's a hell of a filmmaker. Hell of a filmmaker. And a lot of these young horror filmmakers are doing that. Well, that's where it's all happening. It's fascinating to me. And so in Godless, I shot almost all of it with a 25 millimeter lens. And it's like, what can we do? And you still have to pace.

How much story can you tell in a single composition? Wie viel kannst du erzählen? He's a hell of a filmmaker. Hell of a filmmaker. And a lot of these young horror filmmakers are doing that. Well, that's where it's all happening. It's fascinating to me. And so in Godless, I shot almost all of it with a 25 millimeter lens. And it's like, what can we do? And you still have to pace.

Instead of cutting just to cut, you cut when you need to cut. You cut when you need to punctuate something.

Instead of cutting just to cut, you cut when you need to cut. You cut when you need to punctuate something.

Instead of cutting just to cut, you cut when you need to cut. You cut when you need to punctuate something.

Nein, nein, nein, nein.

Nein, nein, nein, nein.