Scott Frank

Zuerst einmal gibt es nicht so viele Close-Ups, was ich glaube, großartig ist, denn jeder schießt so viele Close-Ups heute. Und das Film prüft, dass nicht jeder andere Schuss... Aber das ist, weil er mit der Landschaft verliebt war. Aber es gibt einen Moment, wo er aufsteht und seine Frau, ich vergesse ihren Namen jetzt...

Zuerst einmal gibt es nicht so viele Close-Ups, was ich glaube, großartig ist, denn jeder schießt so viele Close-Ups heute. Und das Film prüft, dass nicht jeder andere Schuss... Aber das ist, weil er mit der Landschaft verliebt war. Aber es gibt einen Moment, wo er aufsteht und seine Frau, ich vergesse ihren Namen jetzt...

Zuerst einmal gibt es nicht so viele Close-Ups, was ich glaube, großartig ist, denn jeder schießt so viele Close-Ups heute. Und das Film prüft, dass nicht jeder andere Schuss... Aber das ist, weil er mit der Landschaft verliebt war. Aber es gibt einen Moment, wo er aufsteht und seine Frau, ich vergesse ihren Namen jetzt...

Sie nimmt seinen Schlauch und du siehst, dass sie den Schlauch nur rüttelt, als sie es auf den Schlauch stellt. Und das sagt dir alles. Ich liebe kleine Momente wie das. Es ist großartig. Sie ist beschlossen. Ja, ja. Genau. Yeah. Yeah. Butch & Sundance. That's also terrific. And that script is a ball to read. In fact, that's what made me want to write scripts.

Sie nimmt seinen Schlauch und du siehst, dass sie den Schlauch nur rüttelt, als sie es auf den Schlauch stellt. Und das sagt dir alles. Ich liebe kleine Momente wie das. Es ist großartig. Sie ist beschlossen. Ja, ja. Genau. Yeah. Yeah. Butch & Sundance. That's also terrific. And that script is a ball to read. In fact, that's what made me want to write scripts.

Sie nimmt seinen Schlauch und du siehst, dass sie den Schlauch nur rüttelt, als sie es auf den Schlauch stellt. Und das sagt dir alles. Ich liebe kleine Momente wie das. Es ist großartig. Sie ist beschlossen. Ja, ja. Genau. Yeah. Yeah. Butch & Sundance. That's also terrific. And that script is a ball to read. In fact, that's what made me want to write scripts.

I read it when I was 11 and there's a line in it. Yeah, it was at the Gemco Checkout. So I'm a little older than you probably. I'm 61. How old could you be? Oh, you look good. It's all that SSRIs. Or all your insanity. They're both. Yeah.

I read it when I was 11 and there's a line in it. Yeah, it was at the Gemco Checkout. So I'm a little older than you probably. I'm 61. How old could you be? Oh, you look good. It's all that SSRIs. Or all your insanity. They're both. Yeah.

I read it when I was 11 and there's a line in it. Yeah, it was at the Gemco Checkout. So I'm a little older than you probably. I'm 61. How old could you be? Oh, you look good. It's all that SSRIs. Or all your insanity. They're both. Yeah.

But there's, you know, when you're 11 years old and you read in a screenplay, which I'd never read before, I'd never read a screenplay before, and it says, Butch delivers the most aesthetically exquisite kick in the balls in the history of modern American cinema. And that was Goldman? Goldman. I went, I'm 11, I'm a young kid, this is what I want to do.

But there's, you know, when you're 11 years old and you read in a screenplay, which I'd never read before, I'd never read a screenplay before, and it says, Butch delivers the most aesthetically exquisite kick in the balls in the history of modern American cinema. And that was Goldman? Goldman. I went, I'm 11, I'm a young kid, this is what I want to do.

But there's, you know, when you're 11 years old and you read in a screenplay, which I'd never read before, I'd never read a screenplay before, and it says, Butch delivers the most aesthetically exquisite kick in the balls in the history of modern American cinema. And that was Goldman? Goldman. I went, I'm 11, I'm a young kid, this is what I want to do.

That and Dog Day Afternoon was the other one that did it.

That and Dog Day Afternoon was the other one that did it.

That and Dog Day Afternoon was the other one that did it.

He's one of my favorite directors as well, the other Sidney, and there's no score in that movie. There's just the Elton John song at the beginning, and then no music for it. And also it's just one ride. Yeah, it's one ride. It all happens in real time. Yeah, and then makes this fucking left turn in the middle of it. Yeah. And the audience goes with it. They go completely with it.

He's one of my favorite directors as well, the other Sidney, and there's no score in that movie. There's just the Elton John song at the beginning, and then no music for it. And also it's just one ride. Yeah, it's one ride. It all happens in real time. Yeah, and then makes this fucking left turn in the middle of it. Yeah. And the audience goes with it. They go completely with it.

He's one of my favorite directors as well, the other Sidney, and there's no score in that movie. There's just the Elton John song at the beginning, and then no music for it. And also it's just one ride. Yeah, it's one ride. It all happens in real time. Yeah, and then makes this fucking left turn in the middle of it. Yeah. And the audience goes with it. They go completely with it.

And the gun. Oh mein Gott. Und dann versucht er die Box zu öffnen mit der Flasche, mit der Waffe in sie und in der Bank und es ist ein Mess, als er versucht.

And the gun. Oh mein Gott. Und dann versucht er die Box zu öffnen mit der Flasche, mit der Waffe in sie und in der Bank und es ist ein Mess, als er versucht.