Scott Frank

I could teach. And they are. Yeah, I could teach. I mean, and so that is, that's the thing. And so you just realize that you have to at least try. Let the universe tell you that it's not going to happen. You know, not, you know, as a parent, you want to, I feel like,

I could teach. And they are. Yeah, I could teach. I mean, and so that is, that's the thing. And so you just realize that you have to at least try. Let the universe tell you that it's not going to happen. You know, not, you know, as a parent, you want to, I feel like,

I minored in that. It's good. And so at Santa Barbara, because it didn't have a lot of money or production facilities, that's super interdisciplinary. So you're taking art history...

I minored in that. It's good. And so at Santa Barbara, because it didn't have a lot of money or production facilities, that's super interdisciplinary. So you're taking art history...

I minored in that. It's good. And so at Santa Barbara, because it didn't have a lot of money or production facilities, that's super interdisciplinary. So you're taking art history...

Other things and you're kind of looking at other kinds of movies and you're also really steeped in literature, art history and film history as well, which is great. And as a writer and even as a director, all that stuff I still think about all the time.

Other things and you're kind of looking at other kinds of movies and you're also really steeped in literature, art history and film history as well, which is great. And as a writer and even as a director, all that stuff I still think about all the time.

Other things and you're kind of looking at other kinds of movies and you're also really steeped in literature, art history and film history as well, which is great. And as a writer and even as a director, all that stuff I still think about all the time.

But I like directors like that. William Wyler is another one I love. He does The Heiress. He does Best Years of Our Lives. He's a really interesting filmmaker for me. They're just well crafted.

But I like directors like that. William Wyler is another one I love. He does The Heiress. He does Best Years of Our Lives. He's a really interesting filmmaker for me. They're just well crafted.

But I like directors like that. William Wyler is another one I love. He does The Heiress. He does Best Years of Our Lives. He's a really interesting filmmaker for me. They're just well crafted.

Yeah, Siad Mack. Yeah, he's interesting. Right? Yeah, very interesting, yeah. I mean, just kind of like matter of fact. Yeah. You know, kind of block. And that, when I went to college, Film Noir became the other thing like Sidney Lumet that infected me deeply.

Yeah, Siad Mack. Yeah, he's interesting. Right? Yeah, very interesting, yeah. I mean, just kind of like matter of fact. Yeah. You know, kind of block. And that, when I went to college, Film Noir became the other thing like Sidney Lumet that infected me deeply.

Yeah, Siad Mack. Yeah, he's interesting. Right? Yeah, very interesting, yeah. I mean, just kind of like matter of fact. Yeah. You know, kind of block. And that, when I went to college, Film Noir became the other thing like Sidney Lumet that infected me deeply.

Really big effect. That really was for me something amazing. All the stuff going on and the stuff said and unsaid and they're all fucked up.

Really big effect. That really was for me something amazing. All the stuff going on and the stuff said and unsaid and they're all fucked up.

Really big effect. That really was for me something amazing. All the stuff going on and the stuff said and unsaid and they're all fucked up.

Oh, yeah. Oh, yeah. Oh, yeah. Totally. But also, you know, The Third Man. That's an amazing movie. An amazing movie.

Oh, yeah. Oh, yeah. Oh, yeah. Totally. But also, you know, The Third Man. That's an amazing movie. An amazing movie.

Oh, yeah. Oh, yeah. Oh, yeah. Totally. But also, you know, The Third Man. That's an amazing movie. An amazing movie.