Scott Wolter

who, again, to be a rabbi at that time, he had to have a son.

And then the second child they had was a daughter.

Her name was Sarah.

And if people that are listening are kind of going, what are you even talking about?

I would refer you to one of the past grandmasters of the tradition that Tim and I are both a part of.

A guy named Leonardo da Vinci, does that ring a bell?

I would say so, yeah.

Well, there is a painting that he did, I think it was in 1483, called Virgin on the Rocks.

And when you look at this painting, you will see that you have Mother Mary in blue standing over this scene where you have two children that are supposed to be Jesus and John the Baptist's children, okay?

But then there's a fourth person that's sitting on the right, and it's a woman that has auburn-colored hair.

She's wearing green and orange, which are the colors of Mary Magdalene.

orange for the region in France that she disappeared into after the crucifixion, according to tradition, and green for her Celtic roots and ideology.

So you have this young woman, adult, sitting there with the young Jesus in her lap and John the Baptist standing over on the opposite side.

The other thing that's very interesting is she is pointed like this.

Now look at my hand.

If I rotate it 90 degrees, what do you see?

The compass is square.

So she is pointing to the initiator, but the problem is these children are like two and three or four years old.

How can they be Jesus and John the Baptist as Mary Magdalene is sitting right next to them?

I'm talking about, well, that's what it's supposed to be.