Sean Fennessey

I'm just downright mad I haven't seen this.

This is a very specific kind of thing that I enjoy.

Yeah.

Which is like a preposterous political docudrama.

Weird situation here where... Yeah.

Olivier Assas, I think really one of the great European filmmakers the last 50 years, has been in a real downswing since this show started.

So we haven't had as much opportunity to talk about his work.

We both liked nonfiction, which we talked about in 2018.

And then in 2019, he made Wasp Network, which went to Netflix, which I don't think we ever even discussed.

And then he made a film in 2024, Suspended Time, that I haven't seen, which is, I think, an animated movie.

But, you know, this is someone who he made Irma Vep and Boarding Gates, Summer Hours, you know, Clouds of Sils Maria, Personal Shopper.

Some great films.

So I'm still holding a candle for him.

I'm looking forward to it.

All right.

So you've already, you teased that you did see.

Now, Ghost War.

Mm-hmm.

Now, there's two ways to think about ghost war, right?

Yes.