Sean Fennessey

And you had kids.

Yeah.

kind of ripping and running polo gear and Tommy Hilfiger gear.

And that was a huge moment, you know, in hip-hop culture that kind of spread out wide.

And some of it was considered, like, this kind of mischievous, rebellious culture.

Some of it was considered a political statement.

There's a long history of this.

The movie has, like, I think a lot of the mischief and the kind of blow-it-up detonation quality that a lot of Boots' music has.

It's interesting that he – almost every character in this movie is a woman and that he has completely repositioned this story to be about women seizing power but against other women who are participating in a much wider culture of capitalistic brainwashing effectively.

Right.

And –

I really want to know what you think.

We saw this together and did not say a word to each other about it because I'm super interested in situating the world of fashion as the epicenter of the kind of misdeeds of capital culture.

But, like, a high fashion quality, too, where it was, like, Christy Smith, I think, is the name of the brand, and Moore's label is, like, the most expensive label, which is why they target her label for all this boosting, which is, like, one part kind of social terrorism, one part statement-making, one part couture acquisition, you know?

And it's kind of all of these things, and so he's kind of digging into...

I think a really interesting psychological collision, which is even if you want to make dramatic change in the world, you still, like, fly shit.

Like, that's a cool idea.

You know, that there's something that

even for Boots, who we ran into in Vegas, right?

And still, like, you know, he is a very fashion-forward person.