Sean Fennessey

So I'm kind of fascinated to see now if this is just a blip, if it is just an unforgettable performance.

Is it more like maybe a sixth sense kind of thing where that kind of put Shyamalan on the map and then there's like a Curry Barker brand?

Like it could really go in any direction at this point.

Do you remember?

Wow, Dick and Thomas Crown Affair.

Huge weekend for Amanda.

Jeez.

Humongous.

Yes.

I know, but the obsession thing is so strange, though, because it is – and obviously the Blair Witch Project is a forebear here in a lot of ways.

And there have been other kind of unique storytelling styles like Paranormal Activity, like Blair Witch that have become phenomenons in theaters and word-of-mouth hits, especially among young people.

I think even like the Jackass movie kind of falls into this where it's sort of like this is an unusual thing that we're seeing be very successful in a movie theater.

Yeah.

Obsession is not bad.

It has no stars, but it's just a horror movie.

I mean, I think it's a quite good and entertaining horror movie, but it is...

structurally, functionally, even intellectually, ideologically, it is just a horror movie.

And so that's what is making this so fascinating to me that I do tend to overread these things, but the idea of people getting very excited about a movie this long into its run, so to speak,

It's just so unique.

Well, that's what Backrooms is going through right now.