Sean Fennessey

People between the ages of 35 and 50.

But it's also a candy-colored PG-13 action-adventure-fantasy movie.

And I was certain I was going to be able to bring Alice to this, and now I don't think I can.

I think it's too violent and too weird.

You agree with me though, right?

I mean, it feels like a little too rough.

Yeah, and, like, why was the sword there?

Somebody found it on in the river one day and they decided it should be part of a comic book stores presentation.

Like the whole thing is just like all of that stuff on Earth, which is kind of essential to make that late scene Skeletor scene work.

But all of it is just like, what is this?

Like, why are we even trying to make this seem as though it is operating on our planet?

It almost would be better if he just went to a different planet entirely.

I thought they landed the plane very well with the final name reveal, though.

No, no.

I don't think the film is going to be a very big hit, and I think that probably puts an end to Masters of the Universe as a theatrical property for now, which I find interesting because, first of all, there are three different end credit sequences, which we don't have to spoil for people, but that all kind of lean towards, well, this is coming, and this is coming, and this is coming, and that also just feels like 2018.

That just is like...

Actually, even Marvel seems to be kind of getting over the end credits addiction and, you know, this sort of teasing of the audience about what could be coming next.

And the idea of withholding something, and I'll just say, like, withholding Orko from the Masters of the Universe movie, it's just fucking annoying.

Like, it's just annoying that they did that.

And I know why they're doing it because they think they had something on their hands, but they just did that.