Sean Fennessey

But it really serves the movie.

No, Richard, get down!

It's funny, though, when Stephen was talking about catching a Kubrick movie 30 minutes in and not being able to turn it off, which is literally the premise of this show.

I think Jaws is definitely one of those movies for us and for Chris, for millions of people where...

It doesn't – if you're in the eighth minute or the 90th minute, you're like, I just – I got to get to the end.

I got to get to the Indianapolis.

I got to get to – I got to see the shark popping out.

I just have to get to those moments.

That's very – it's hard though to make something where you can go back not two times or five times but 50 times.

Like this movie that we're talking about, it kind of demands –

several viewings.

Like you were saying, you'd only seen it a couple of times beforehand, but if you watch it at different stages of your life, it tells you something different.

You learn more about yourself when you watch it.

It's really interesting.

You notice different things, different themes.

I'm going to use your music.

We'll figure it out later.

I couldn't think of another example of a movie before this that just transitioned so radically, not just to the future, but to a completely seemingly unconnected,

phase of the movie.

It just feels like we've changed the tone, the style, the color, the location.