Sean Fennessey

The plots are set in motion by the moral and emotional vacuum at the center of the home and resolved by father surrogates. A little harsh. but not untrue.

The plots are set in motion by the moral and emotional vacuum at the center of the home and resolved by father surrogates. A little harsh. but not untrue.

The plots are set in motion by the moral and emotional vacuum at the center of the home and resolved by father surrogates. A little harsh. but not untrue.

Or he's making three versions of the same film because that's what happened. He released the theatrical in 77. it did amazingly well. It saved Columbia. Columbia was going broke. Their whole bacon depended on this movie doing well. And it did, but they rushed it and they rushed it. I think six, seven months ahead of when he wanted to do it.

Or he's making three versions of the same film because that's what happened. He released the theatrical in 77. it did amazingly well. It saved Columbia. Columbia was going broke. Their whole bacon depended on this movie doing well. And it did, but they rushed it and they rushed it. I think six, seven months ahead of when he wanted to do it.

Or he's making three versions of the same film because that's what happened. He released the theatrical in 77. it did amazingly well. It saved Columbia. Columbia was going broke. Their whole bacon depended on this movie doing well. And it did, but they rushed it and they rushed it. I think six, seven months ahead of when he wanted to do it.

So then when they said they were releasing and he's like, I'm cool, I'll get behind it.

So then when they said they were releasing and he's like, I'm cool, I'll get behind it.

So then when they said they were releasing and he's like, I'm cool, I'll get behind it.

I think it's a good lesson in creativity though. Sometimes maybe you're overthinking it too much, maybe turn it in. Because even like the stuff they add in the special edition, the studio's like... We'll pay for this. We'll market it.

I think it's a good lesson in creativity though. Sometimes maybe you're overthinking it too much, maybe turn it in. Because even like the stuff they add in the special edition, the studio's like... We'll pay for this. We'll market it.

I think it's a good lesson in creativity though. Sometimes maybe you're overthinking it too much, maybe turn it in. Because even like the stuff they add in the special edition, the studio's like... We'll pay for this. We'll market it.

Well, but they say to him, you have to show the inside of the spaceship, which they do. So if you get the 4k Blu-ray of it, they have the three versions. So we see the inside of the spaceship in that version. And I don't want to see the inside of this spaceship. I don't either. The whole point of this movie is you kind of don't know what's out there or what's in there or anything.

Well, but they say to him, you have to show the inside of the spaceship, which they do. So if you get the 4k Blu-ray of it, they have the three versions. So we see the inside of the spaceship in that version. And I don't want to see the inside of this spaceship. I don't either. The whole point of this movie is you kind of don't know what's out there or what's in there or anything.

Well, but they say to him, you have to show the inside of the spaceship, which they do. So if you get the 4k Blu-ray of it, they have the three versions. So we see the inside of the spaceship in that version. And I don't want to see the inside of this spaceship. I don't either. The whole point of this movie is you kind of don't know what's out there or what's in there or anything.

So Spielberg agreed to it because he wanted to make all these other changes and cut all this fat from the movie that always drove him crazy. And then that he agreed to the spaceship, that drove him crazy. So now we get the director's cut in 98, which is the... kind of official version.

So Spielberg agreed to it because he wanted to make all these other changes and cut all this fat from the movie that always drove him crazy. And then that he agreed to the spaceship, that drove him crazy. So now we get the director's cut in 98, which is the... kind of official version.

So Spielberg agreed to it because he wanted to make all these other changes and cut all this fat from the movie that always drove him crazy. And then that he agreed to the spaceship, that drove him crazy. So now we get the director's cut in 98, which is the... kind of official version.

Yeah, he really did. Well, Spielberg said they gave him $1.5 million to work on the special edition, which was a lot of money back in 1980. Anyway, huge hit for Steve. Falls it up in 1941, which was not a huge hit, but leads to everything that happens in the 80s.

Yeah, he really did. Well, Spielberg said they gave him $1.5 million to work on the special edition, which was a lot of money back in 1980. Anyway, huge hit for Steve. Falls it up in 1941, which was not a huge hit, but leads to everything that happens in the 80s.