Sean Fennessey

Most rewatchable scene. I really like the air traffic controller scene. Oh my God, it's awesome. It's good. TW517, you wish to report a UFO over?

Ares 31, do you wish to file a report of any kind? Over. I wouldn't know what kind of report to file, Senator. Ares 31, me neither. I'll try to track traffic to destination. Over.

Ares 31, do you wish to file a report of any kind? Over. I wouldn't know what kind of report to file, Senator. Ares 31, me neither. I'll try to track traffic to destination. Over.

Ares 31, do you wish to file a report of any kind? Over. I wouldn't know what kind of report to file, Senator. Ares 31, me neither. I'll try to track traffic to destination. Over.

But everything about that scene, which shouldn't really be a good scene at all. All the actors are really good. The way he does the camera, he's building suspense and it's just like a guy on a radio.

But everything about that scene, which shouldn't really be a good scene at all. All the actors are really good. The way he does the camera, he's building suspense and it's just like a guy on a radio.

But everything about that scene, which shouldn't really be a good scene at all. All the actors are really good. The way he does the camera, he's building suspense and it's just like a guy on a radio.

Well, they needed the Spielberg move. Like, he does it in this scene a couple times. He's really good at either zooming in on somebody's shocked face or zooming back from somebody's shocked face. So we needed, like, just a shot of Jay Billis. Like, the slow version of Jay Billis.

Well, they needed the Spielberg move. Like, he does it in this scene a couple times. He's really good at either zooming in on somebody's shocked face or zooming back from somebody's shocked face. So we needed, like, just a shot of Jay Billis. Like, the slow version of Jay Billis.

Well, they needed the Spielberg move. Like, he does it in this scene a couple times. He's really good at either zooming in on somebody's shocked face or zooming back from somebody's shocked face. So we needed, like, just a shot of Jay Billis. Like, the slow version of Jay Billis.

The little kid, Barry, waking up with his room going bonkers.

The little kid, Barry, waking up with his room going bonkers.

The little kid, Barry, waking up with his room going bonkers.

This is another one where I just have to say, in 1977, we did not have a ton of awesome special effects for scenes like this. Now this is a layup. You just CGI shit and the monkey. But just from a how are they doing this standpoint, that scene was huge.

This is another one where I just have to say, in 1977, we did not have a ton of awesome special effects for scenes like this. Now this is a layup. You just CGI shit and the monkey. But just from a how are they doing this standpoint, that scene was huge.

This is another one where I just have to say, in 1977, we did not have a ton of awesome special effects for scenes like this. Now this is a layup. You just CGI shit and the monkey. But just from a how are they doing this standpoint, that scene was huge.

Really great Boston University shirt on that kid. Sure. Yeah. I really like it. Like getting Boston represented.

Really great Boston University shirt on that kid. Sure. Yeah. I really like it. Like getting Boston represented.

Really great Boston University shirt on that kid. Sure. Yeah. I really like it. Like getting Boston represented.

You see what he just indicated? This is his movie about child abandonment. It's true. Dreyfuss' UFO encounter all the way through the highway chase, the fake out with the second car that I mentioned, where it turns out the UFO is clearly the... Okay, motherfucker!