Sean Hayes

They're like, oh, of course, let's meet your friend.

So you kind of figure it out though.

Like you do a bunch of different parts.

I mean, you do sort of like eight, 10 movies maybe before Reservoir Dogs.

Yeah, yeah.

And you do a bunch of varying degree, bigger roles and et cetera.

What was, that must have been kind of a seminal moment if I'm guessing right.

And talk a little bit about how that came into your world and what it was like first meeting Quentin Tarantino.

That's cool.

Isn't that amazing how those things kind of work?

Like that you just never know.

It is.

Would it be like where the character was killed or would it also be like where the character can really score?

Would you look at that and go like, oh, this is a good scene.

This is, you know what I mean?

And we touched on it, Jason, you just said too, you did so many different, not just so many different characters, but so many different kinds of...

you know, size of films.

You've done these huge Hollywood films and you've done these really small... In fact, you made the seminal independent film Living in Oblivion with our mutual friend Tom DiCillo.

Yes.

Which is about making an independent film, which is one of my favorites.