Sean Hayes

And the second one was the second half of the book. massive fan as opposed to a sequel so it's just you broke the book up into two films which is incredible the third one potentially three right well the third coming up right is a brand new story it's the second book that will be the adaptation of Dune Messiah which is the second book the first movies were about that first book Dune

And the second one was the second half of the book. massive fan as opposed to a sequel so it's just you broke the book up into two films which is incredible the third one potentially three right well the third coming up right is a brand new story it's the second book that will be the adaptation of Dune Messiah which is the second book the first movies were about that first book Dune

And the second one was the second half of the book. massive fan as opposed to a sequel so it's just you broke the book up into two films which is incredible the third one potentially three right well the third coming up right is a brand new story it's the second book that will be the adaptation of Dune Messiah which is the second book the first movies were about that first book Dune

Well, you know, something that I love about, I think 2001 might be my favorite film. And the thing that I think really draws me to it time and time again is not only the music and his composition, et cetera, but something that I just realized while you were talking that it does so well that your films do incredibly well is, as Will said, your scope is,

Well, you know, something that I love about, I think 2001 might be my favorite film. And the thing that I think really draws me to it time and time again is not only the music and his composition, et cetera, but something that I just realized while you were talking that it does so well that your films do incredibly well is, as Will said, your scope is,

Well, you know, something that I love about, I think 2001 might be my favorite film. And the thing that I think really draws me to it time and time again is not only the music and his composition, et cetera, but something that I just realized while you were talking that it does so well that your films do incredibly well is, as Will said, your scope is,

Your scope, your ability to cinematically capture scope and scale in the obvious large scale, but also in the internal scale as well. The massive scope of a human's internal experience.

Your scope, your ability to cinematically capture scope and scale in the obvious large scale, but also in the internal scale as well. The massive scope of a human's internal experience.

Your scope, your ability to cinematically capture scope and scale in the obvious large scale, but also in the internal scale as well. The massive scope of a human's internal experience.

experience um in a certain story like there's there are things that are incredibly small and intimate that that goes on in uh in 2001 as well as the obvious external large scope of space and and these these these machines and etc uh talk a little bit about um

experience um in a certain story like there's there are things that are incredibly small and intimate that that goes on in uh in 2001 as well as the obvious external large scope of space and and these these these machines and etc uh talk a little bit about um

experience um in a certain story like there's there are things that are incredibly small and intimate that that goes on in uh in 2001 as well as the obvious external large scope of space and and these these these machines and etc uh talk a little bit about um

Your ability to capture that and the departments that you're drawn to in filmmaking that allow for you to travel as wide on the internal journey of a character as well as the external of these massive undertakings that you do from outside. from a production standpoint.

Your ability to capture that and the departments that you're drawn to in filmmaking that allow for you to travel as wide on the internal journey of a character as well as the external of these massive undertakings that you do from outside. from a production standpoint.

Your ability to capture that and the departments that you're drawn to in filmmaking that allow for you to travel as wide on the internal journey of a character as well as the external of these massive undertakings that you do from outside. from a production standpoint.

But there are components to building a moment like that that you're just uniquely... incredible at in your ability to balance all departments to create that moment. And so for our listeners out there that aren't as familiar with what happens on set and the sequencing of things, talk a little bit about how you approach a moment like that where you know that it needs to have the authenticity of

But there are components to building a moment like that that you're just uniquely... incredible at in your ability to balance all departments to create that moment. And so for our listeners out there that aren't as familiar with what happens on set and the sequencing of things, talk a little bit about how you approach a moment like that where you know that it needs to have the authenticity of

But there are components to building a moment like that that you're just uniquely... incredible at in your ability to balance all departments to create that moment. And so for our listeners out there that aren't as familiar with what happens on set and the sequencing of things, talk a little bit about how you approach a moment like that where you know that it needs to have the authenticity of

of sort of the human condition to counterbalance this crazy odd sort of space world, a nether world that's, that's, that's not really that, um, tangible, but, but the human emotion is. And so that needs to be real while this other stuff is not that real. And, and are you thinking I'm fully reliant on the actor to really ground this with, with no acting and just being raw or, um,

of sort of the human condition to counterbalance this crazy odd sort of space world, a nether world that's, that's, that's not really that, um, tangible, but, but the human emotion is. And so that needs to be real while this other stuff is not that real. And, and are you thinking I'm fully reliant on the actor to really ground this with, with no acting and just being raw or, um,