Sean Hayes

Yeah, I watched the whole behind the scenes, all of it, all of the Dune, both Dune. We know. I couldn't consume enough of it. I was just blown away with how it's made. And one dumb, dumb question I have is when people are walking in the sand and it's the first footprints in the sand, That's one take. How do you do that?

Yeah, I watched the whole behind the scenes, all of it, all of the Dune, both Dune. We know. I couldn't consume enough of it. I was just blown away with how it's made. And one dumb, dumb question I have is when people are walking in the sand and it's the first footprints in the sand, That's one take. How do you do that?

Can I go back? Just one really quick question about the music, because I thought that was interesting. You said you were talking to Hans before you started, and do you listen to cues or music before you even start thinking about how you're going to film it to get ideas? Or writing, you mean? Do you envision stuff from listening to music, or do you wait to incorporate it later?

Can I go back? Just one really quick question about the music, because I thought that was interesting. You said you were talking to Hans before you started, and do you listen to cues or music before you even start thinking about how you're going to film it to get ideas? Or writing, you mean? Do you envision stuff from listening to music, or do you wait to incorporate it later?

Can I go back? Just one really quick question about the music, because I thought that was interesting. You said you were talking to Hans before you started, and do you listen to cues or music before you even start thinking about how you're going to film it to get ideas? Or writing, you mean? Do you envision stuff from listening to music, or do you wait to incorporate it later?

But yeah, you introduced me to Max Richter because I never heard of him. And then I was like, what is that piece so powerful?

But yeah, you introduced me to Max Richter because I never heard of him. And then I was like, what is that piece so powerful?

But yeah, you introduced me to Max Richter because I never heard of him. And then I was like, what is that piece so powerful?

But staying with music though, where for you does the score and the sound design begins? Talk to us about that process for you and when does it happen?

But staying with music though, where for you does the score and the sound design begins? Talk to us about that process for you and when does it happen?

But staying with music though, where for you does the score and the sound design begins? Talk to us about that process for you and when does it happen?

But that sound design is embedded prior to you spotting with the composer and figuring out where you're going to put some of the music. So it's the sound design first, then, yeah?

But that sound design is embedded prior to you spotting with the composer and figuring out where you're going to put some of the music. So it's the sound design first, then, yeah?

But that sound design is embedded prior to you spotting with the composer and figuring out where you're going to put some of the music. So it's the sound design first, then, yeah?

That shootout you mentioned there at the border is one of the most tense things I've ever seen, still probably ever will see. And there's obviously great planning that goes into something like that because it's just so intricate. But I guess that's my question. How much planning did go into something like that? And just more generally –

That shootout you mentioned there at the border is one of the most tense things I've ever seen, still probably ever will see. And there's obviously great planning that goes into something like that because it's just so intricate. But I guess that's my question. How much planning did go into something like that? And just more generally –

That shootout you mentioned there at the border is one of the most tense things I've ever seen, still probably ever will see. And there's obviously great planning that goes into something like that because it's just so intricate. But I guess that's my question. How much planning did go into something like that? And just more generally –

When you're working and your visual taste, your aesthetic, your sense of composition and whatnot is just unmatched. And you're working with your equals in cinematography with people like Roger Dinkins and Greg Frazier.

When you're working and your visual taste, your aesthetic, your sense of composition and whatnot is just unmatched. And you're working with your equals in cinematography with people like Roger Dinkins and Greg Frazier.

When you're working and your visual taste, your aesthetic, your sense of composition and whatnot is just unmatched. And you're working with your equals in cinematography with people like Roger Dinkins and Greg Frazier.