Sean Rameswaram

I wanted to ask you about that. It's funny, you know, I'm used to shows on HBO being six episodes, eight episodes, ten episodes. I just watch Adolescence. It's four episodes. This show is 15 hours, which, it's HBO, it's Max or whatever, but it feels kind of like old-school network television where there's a lot of episodes.

I wanted to ask you about that. It's funny, you know, I'm used to shows on HBO being six episodes, eight episodes, ten episodes. I just watch Adolescence. It's four episodes. This show is 15 hours, which, it's HBO, it's Max or whatever, but it feels kind of like old-school network television where there's a lot of episodes.

No. Were you nervous that the amount of stress in this hospital, in this emergency room, in this sort of like tight 15-hour period would overstress your audience out and they might get scared off? Were you at all nervous about that?

No. Were you nervous that the amount of stress in this hospital, in this emergency room, in this sort of like tight 15-hour period would overstress your audience out and they might get scared off? Were you at all nervous about that?

No. Were you nervous that the amount of stress in this hospital, in this emergency room, in this sort of like tight 15-hour period would overstress your audience out and they might get scared off? Were you at all nervous about that?

How did people respond?

How did people respond?

How did people respond?

The show's also pretty gnarly at times. I mean, if you're like, you know, faint of heart, there's this floating face moment early in the show where I was just like, I mean, the noises that come out of me while I'm watching the show are pretty hilarious, I imagine. Yeah. The skinless foot, I think in the first episode, there's like a needle in the heart.

The show's also pretty gnarly at times. I mean, if you're like, you know, faint of heart, there's this floating face moment early in the show where I was just like, I mean, the noises that come out of me while I'm watching the show are pretty hilarious, I imagine. Yeah. The skinless foot, I think in the first episode, there's like a needle in the heart.

The show's also pretty gnarly at times. I mean, if you're like, you know, faint of heart, there's this floating face moment early in the show where I was just like, I mean, the noises that come out of me while I'm watching the show are pretty hilarious, I imagine. Yeah. The skinless foot, I think in the first episode, there's like a needle in the heart.

Was there stuff that didn't make it because it was too gnarly or did you guys just go for it?

Was there stuff that didn't make it because it was too gnarly or did you guys just go for it?

Was there stuff that didn't make it because it was too gnarly or did you guys just go for it?

So, what are you going to show us that we haven't seen before in season two? Stay tuned.

So, what are you going to show us that we haven't seen before in season two? Stay tuned.

So, what are you going to show us that we haven't seen before in season two? Stay tuned.

Joe Sachs is an executive producer and writer on The Pit, which had its season finale last night on Max, which means you can binge the whole thing over the weekend now and maybe still catch the tail end of some of that water cooler conversation that we are going to be talking about when we return on Today Explained.

Joe Sachs is an executive producer and writer on The Pit, which had its season finale last night on Max, which means you can binge the whole thing over the weekend now and maybe still catch the tail end of some of that water cooler conversation that we are going to be talking about when we return on Today Explained.

Joe Sachs is an executive producer and writer on The Pit, which had its season finale last night on Max, which means you can binge the whole thing over the weekend now and maybe still catch the tail end of some of that water cooler conversation that we are going to be talking about when we return on Today Explained.