Selena Warren

I think we're more, we outline much more heavily now. Like I think our outlines used to be like, this kind of happens and now we know every beat and what the theme is before we go to write the script.

I think we're more, we outline much more heavily now. Like I think our outlines used to be like, this kind of happens and now we know every beat and what the theme is before we go to write the script.

I think we're more, we outline much more heavily now. Like I think our outlines used to be like, this kind of happens and now we know every beat and what the theme is before we go to write the script.

fighting for an idea, but like we always, we either will be like, okay, you can have this one and we'll like come back to it later and be like, do I, was I just annoyed in the moment? Do I really care about that one wording of something? Um, and you never really do.

fighting for an idea, but like we always, we either will be like, okay, you can have this one and we'll like come back to it later and be like, do I, was I just annoyed in the moment? Do I really care about that one wording of something? Um, and you never really do.

fighting for an idea, but like we always, we either will be like, okay, you can have this one and we'll like come back to it later and be like, do I, was I just annoyed in the moment? Do I really care about that one wording of something? Um, and you never really do.

So it's like, I think compromise and like letting the other person have a moment, we're both really good at being like, I'm not going to fight this battle.

So it's like, I think compromise and like letting the other person have a moment, we're both really good at being like, I'm not going to fight this battle.

So it's like, I think compromise and like letting the other person have a moment, we're both really good at being like, I'm not going to fight this battle.

Or like, even after you have a read-through, people have thoughts and notes, and you'll hear things. We usually have an assistant come, like a writer's assistant come, someone we're mentoring, someone we're teaching from school. come and do check marks for every time something gets a laugh. We write comedy.

Or like, even after you have a read-through, people have thoughts and notes, and you'll hear things. We usually have an assistant come, like a writer's assistant come, someone we're mentoring, someone we're teaching from school. come and do check marks for every time something gets a laugh. We write comedy.

Or like, even after you have a read-through, people have thoughts and notes, and you'll hear things. We usually have an assistant come, like a writer's assistant come, someone we're mentoring, someone we're teaching from school. come and do check marks for every time something gets a laugh. We write comedy.

And then we'll go back through and we'll look at pages and be like, how many laughs per page? Does it start to lag? So it's like a joke punch purpose. And also people have ideas and notes that make your script. Collaborating, that's why we're partners, is the most important piece of, I think, any creative endeavor.

And then we'll go back through and we'll look at pages and be like, how many laughs per page? Does it start to lag? So it's like a joke punch purpose. And also people have ideas and notes that make your script. Collaborating, that's why we're partners, is the most important piece of, I think, any creative endeavor.

And then we'll go back through and we'll look at pages and be like, how many laughs per page? Does it start to lag? So it's like a joke punch purpose. And also people have ideas and notes that make your script. Collaborating, that's why we're partners, is the most important piece of, I think, any creative endeavor.

We didn't totally do it with Forsen. That was a traditional studio job where we pitched on an idea and they paid for it and made it happen and did all the hiring. But it surrounded us by influencers. So seeing them create their own work and also a lot of comedians like John Milhiser who did the reading. I think being surrounded by people who... make their own things, you get inspired.

We didn't totally do it with Forsen. That was a traditional studio job where we pitched on an idea and they paid for it and made it happen and did all the hiring. But it surrounded us by influencers. So seeing them create their own work and also a lot of comedians like John Milhiser who did the reading. I think being surrounded by people who... make their own things, you get inspired.

We didn't totally do it with Forsen. That was a traditional studio job where we pitched on an idea and they paid for it and made it happen and did all the hiring. But it surrounded us by influencers. So seeing them create their own work and also a lot of comedians like John Milhiser who did the reading. I think being surrounded by people who... make their own things, you get inspired.

And that definitely led us to starting to make our own stuff.

And that definitely led us to starting to make our own stuff.