Serein Petro

No.

For a comic, the job you guys do to get up on stage in front of people or to put together like you would do for the football shows and everything.

They are two totally different, but both of them take giant balls.

Yeah, I think so.

I mean, I know anything you do over and over again, repetition makes everything better, right?

Like, there are people that think our job is tough, right?

The interns are going to be like, we put them on the mic and they're like... Yeah, right, right.

And we're like, no, it's just like four of us sitting here BSing like you'd be doing with a couple of Coronas at the bar.

So I do get that with repetition everything becomes easier, but you're putting your hair...

Everybody look at me, and I'm going to charge you to do it.

That takes a little swagger.

Yeah, I think so.

But you've got to be good, and you have to know what you're doing up there.

We do a bad show.

We didn't take 50 off everybody before we got started.

That's the thing I love about radio is I get to flesh things out because then you're in the middle of a conversation.

The NFL on Fox stuff, we were the only thing that was taped, really, other than a tape package that was just highlights and stuff like that.

So the key to the NFL on Fox stuff is those guys are goofing around, similar to the Inside the NBA crew, where the funny parts of that show are mistakes that they're making when they're trying to be serious.

When they're trying to be funny, a lot of times you're going, where's this going until it gets so bad that they're making...

Like when they had the during the March Madness stuff, when they had the talking basketball, the creepy talking basketball.