Seth Lind

I'd lie down, and really quickly, just one of these images would just pop in my mind. I mean, the blood coming out of the elevator was huge. Also, there are these twin girls who, in the movie— are sort of spectral characters that only Danny, the little kid, can see.

I'd lie down, and really quickly, just one of these images would just pop in my mind. I mean, the blood coming out of the elevator was huge. Also, there are these twin girls who, in the movie— are sort of spectral characters that only Danny, the little kid, can see.

Exactly. And they're shot intercutting between them speaking and pictures of their chopped up corpses. That was the biggest one, the image that would pop into my head the most.

Exactly. And they're shot intercutting between them speaking and pictures of their chopped up corpses. That was the biggest one, the image that would pop into my head the most.

The protagonist is like a little boy, and I was six, and he must have been around that age or so.

The protagonist is like a little boy, and I was six, and he must have been around that age or so.

Well, there were two little girls who were twin sisters who were murdered.

Well, there were two little girls who were twin sisters who were murdered.

So they were ghosts.

So they were ghosts.

There was a little girl. Didn't he have a friend? He had a playmate. It's not fair for me to expect that someone would have the same relationship to it as me, feeling like I kind of lived inside of it in a really terrible way. For two years. For two years.

There was a little girl. Didn't he have a friend? He had a playmate. It's not fair for me to expect that someone would have the same relationship to it as me, feeling like I kind of lived inside of it in a really terrible way. For two years. For two years.

I just remember going to my room during the day and I would look at my bedroom and sort of prove to myself that it wasn't scary. During the day. And because I say, okay, it's light out. This is exactly what it looks like at night. It's just dark. There's nothing different about it. And then, but I get this sort of dread as the day went on.

I just remember going to my room during the day and I would look at my bedroom and sort of prove to myself that it wasn't scary. During the day. And because I say, okay, it's light out. This is exactly what it looks like at night. It's just dark. There's nothing different about it. And then, but I get this sort of dread as the day went on.

I didn't think that anyone could help. The message of the movie is no one's going to help you, little kid. The parents in the film just aren't any help to the kid.

I didn't think that anyone could help. The message of the movie is no one's going to help you, little kid. The parents in the film just aren't any help to the kid.

Right. The father in the movie is trying to kill you. The mother wants to save you but can't. You have to save yourself.

Right. The father in the movie is trying to kill you. The mother wants to save you but can't. You have to save yourself.

There's a certain point where the person who is trying to help you is going to go to sleep, and I would be left alone. Everyone sleeps alone. Seth Lind. He's our program's director of operations.

There's a certain point where the person who is trying to help you is going to go to sleep, and I would be left alone. Everyone sleeps alone. Seth Lind. He's our program's director of operations.