Seth Rogen

You know, I've worked, obviously, a long time to get here. My parents are very thrilled, very proud. I think Griffin is, you know, optimistic with the plan.

You know, I've worked, obviously, a long time to get here. My parents are very thrilled, very proud. I think Griffin is, you know, optimistic with the plan.

You know, I've worked, obviously, a long time to get here. My parents are very thrilled, very proud. I think Griffin is, you know, optimistic with the plan.

Yeah, I feel miserable, honestly. I'm anxious, I'm stressed out, panicking pretty much all the time. I was so much happier two weeks ago when I was just angry and resentful that I didn't have this job. I would give anything to be angry and resentful compared to how I feel right now.

Yeah, I feel miserable, honestly. I'm anxious, I'm stressed out, panicking pretty much all the time. I was so much happier two weeks ago when I was just angry and resentful that I didn't have this job. I would give anything to be angry and resentful compared to how I feel right now.

Yeah, I feel miserable, honestly. I'm anxious, I'm stressed out, panicking pretty much all the time. I was so much happier two weeks ago when I was just angry and resentful that I didn't have this job. I would give anything to be angry and resentful compared to how I feel right now.

You know, I walk past the tour guide every morning, and they say that the office was built as a temple to cinema, but it feels much more like a tomb.

You know, I walk past the tour guide every morning, and they say that the office was built as a temple to cinema, but it feels much more like a tomb.

You know, I walk past the tour guide every morning, and they say that the office was built as a temple to cinema, but it feels much more like a tomb.

Yeah, I'm honored, obviously, to be one of the people that gets to choose, you know, which movies get made and which ones don't. That's huge. And I got into all this because, you know, I love movies. But now I have this fear that my job is to ruin them.

Yeah, I'm honored, obviously, to be one of the people that gets to choose, you know, which movies get made and which ones don't. That's huge. And I got into all this because, you know, I love movies. But now I have this fear that my job is to ruin them.

Yeah, I'm honored, obviously, to be one of the people that gets to choose, you know, which movies get made and which ones don't. That's huge. And I got into all this because, you know, I love movies. But now I have this fear that my job is to ruin them.

Like the characters, especially mine, like longs for days of yore. And that was sort of a big part of the idea was to like also anchor the show in like a real feeling history for this studio and sort of like a real culture that the studio and like an identity that the studio has kind of. Yeah. And so, yeah, we really used color palettes that were very 70s inspired.

Like the characters, especially mine, like longs for days of yore. And that was sort of a big part of the idea was to like also anchor the show in like a real feeling history for this studio and sort of like a real culture that the studio and like an identity that the studio has kind of. Yeah. And so, yeah, we really used color palettes that were very 70s inspired.

Like the characters, especially mine, like longs for days of yore. And that was sort of a big part of the idea was to like also anchor the show in like a real feeling history for this studio and sort of like a real culture that the studio and like an identity that the studio has kind of. Yeah. And so, yeah, we really used color palettes that were very 70s inspired.

And the idea was that that's sort of the culture at the studio. And it also just subconsciously makes it – you can tell that the characters kind of long for – like there's a nostalgia for a time that isn't there anymore. They're not – trying to be on the cutting edge of things. They're actually trying to kind of go back to how things used to be, you know?

And the idea was that that's sort of the culture at the studio. And it also just subconsciously makes it – you can tell that the characters kind of long for – like there's a nostalgia for a time that isn't there anymore. They're not – trying to be on the cutting edge of things. They're actually trying to kind of go back to how things used to be, you know?

And the idea was that that's sort of the culture at the studio. And it also just subconsciously makes it – you can tell that the characters kind of long for – like there's a nostalgia for a time that isn't there anymore. They're not – trying to be on the cutting edge of things. They're actually trying to kind of go back to how things used to be, you know?

And yeah, we shot a lot of old homes from the 50s and 60s and 70s. That house is a John Lautner house. It's a very beautiful, beautiful house. And in the show, it's as though we kind of

And yeah, we shot a lot of old homes from the 50s and 60s and 70s. That house is a John Lautner house. It's a very beautiful, beautiful house. And in the show, it's as though we kind of