Shelton Boyd-Griffith

I loved it. It was such a sweet homage to him. That Sunday, you know, high noon on Sunday kind of reference.

Yeah. It was such a cute, sweet homage. I was like, oh, I love that. I loved it.

Yeah. It was such a cute, sweet homage. I was like, oh, I love that. I loved it.

Yeah. It was such a cute, sweet homage. I was like, oh, I love that. I loved it.

Okay, so for me, Jeremy Pope and the archival Margiela bodice.

Okay, so for me, Jeremy Pope and the archival Margiela bodice.

Okay, so for me, Jeremy Pope and the archival Margiela bodice.

Yeah, I was like, I love that it's sustainable. I love that it's vintage, but I also like that it's a subversive way to take on tailoring. It wasn't a suit. It was like, this is literally the starting point of tailoring.

Yeah, I was like, I love that it's sustainable. I love that it's vintage, but I also like that it's a subversive way to take on tailoring. It wasn't a suit. It was like, this is literally the starting point of tailoring.

Yeah, I was like, I love that it's sustainable. I love that it's vintage, but I also like that it's a subversive way to take on tailoring. It wasn't a suit. It was like, this is literally the starting point of tailoring.

I was keeping a tally of each. I was like, okay, there's Willis Bonner, there's CJR, there's D-Bay, there's Hanifa.

I was keeping a tally of each. I was like, okay, there's Willis Bonner, there's CJR, there's D-Bay, there's Hanifa.

I was keeping a tally of each. I was like, okay, there's Willis Bonner, there's CJR, there's D-Bay, there's Hanifa.

I think it was everywhere. I think of, like, Jeremy O. Harris, like, in that Balmain look.

I think it was everywhere. I think of, like, Jeremy O. Harris, like, in that Balmain look.

I think it was everywhere. I think of, like, Jeremy O. Harris, like, in that Balmain look.

It was very... It kind of... Even the hair kind of referenced, like, Ike Uday, whose work is in the exhibition.

It was very... It kind of... Even the hair kind of referenced, like, Ike Uday, whose work is in the exhibition.

It was very... It kind of... Even the hair kind of referenced, like, Ike Uday, whose work is in the exhibition.

I have one. It was Miley Cyrus and Aliyah. It felt so disjointed. The designer said, this is just what we do, and this is what it is. But it felt nothing connected to the theme. It was a nice outfit because it's Aliyah, but like... It just was not on theme for me.