Shia LaBeouf

What were you doing? I was, well...

Star Wars, not Star Trek. Star Wars. Okay. I just threw it out there.

Star Wars, not Star Trek. Star Wars. Okay. I just threw it out there.

Star Wars, not Star Trek. Star Wars. Okay. I just threw it out there.

What are you talking about? He can tell you. He can tell you. He's obsessed with Star Trek. They're completely different worlds. Which is Star Trek.

What are you talking about? He can tell you. He can tell you. He's obsessed with Star Trek. They're completely different worlds. Which is Star Trek.

What are you talking about? He can tell you. He can tell you. He's obsessed with Star Trek. They're completely different worlds. Which is Star Trek.

Whoa. William Shatner, no blacks, no Asians. That's his way.

Whoa. William Shatner, no blacks, no Asians. That's his way.

Whoa. William Shatner, no blacks, no Asians. That's his way.

Yeah.

Yeah.

Yeah.

Louis cracked that code. Louis learned very early on. When he did the first iteration of his Louis show, I don't know if you ever saw it, but it was almost mocking multicam. It was like a clever kind of spin on shitting on multicam. And I don't think people got it, right? So then when he did, yeah, Lucky Louis, that's what it was.

Louis cracked that code. Louis learned very early on. When he did the first iteration of his Louis show, I don't know if you ever saw it, but it was almost mocking multicam. It was like a clever kind of spin on shitting on multicam. And I don't think people got it, right? So then when he did, yeah, Lucky Louis, that's what it was.

Louis cracked that code. Louis learned very early on. When he did the first iteration of his Louis show, I don't know if you ever saw it, but it was almost mocking multicam. It was like a clever kind of spin on shitting on multicam. And I don't think people got it, right? So then when he did, yeah, Lucky Louis, that's what it was.

And then when he did his second iteration of it, which was Louis on FX... he kind of just stopped all the bullshit and was like, I'm just gonna give you my world, my way, without any fucking directional notes from a studio and a thing. And the deal they made with him was he got to write it, direct it, produce it, and edit and push it out the way he wanted. So they didn't touch it.

And then when he did his second iteration of it, which was Louis on FX... he kind of just stopped all the bullshit and was like, I'm just gonna give you my world, my way, without any fucking directional notes from a studio and a thing. And the deal they made with him was he got to write it, direct it, produce it, and edit and push it out the way he wanted. So they didn't touch it.

And then when he did his second iteration of it, which was Louis on FX... he kind of just stopped all the bullshit and was like, I'm just gonna give you my world, my way, without any fucking directional notes from a studio and a thing. And the deal they made with him was he got to write it, direct it, produce it, and edit and push it out the way he wanted. So they didn't touch it.

So he was really the groundbreaker for, to be fair, what we do too. Like this podcast shit, it's because of those formats. Because he was like, fuck it. Nobody tells us what to do. And if you did, I don't want to work with you. So every time FX was like, you can't do this or you could do this. He was like, I'm telling you again, either I'm going to do it or it just doesn't happen. That's OK.