Siddhartha Khosla

And he goes, no, it's perfect. And I was like, even though I know this is on NBC playing, you know, like, it's like a, we're not as, because this is like, do I have the liberty to explore like this and go there? And Dan's like, don't touch a thing. He goes from, and I remember him saying, he goes, what you did in this episode, from that point on, it changed the sound of the show.

And he goes, no, it's perfect. And I was like, even though I know this is on NBC playing, you know, like, it's like a, we're not as, because this is like, do I have the liberty to explore like this and go there? And Dan's like, don't touch a thing. He goes from, and I remember him saying, he goes, what you did in this episode, from that point on, it changed the sound of the show.

Because it was like, before then, most of the score was like, I can't remember what it was. It was like, a lot of it was very Joni Mitchell-esque.

Because it was like, before then, most of the score was like, I can't remember what it was. It was like, a lot of it was very Joni Mitchell-esque.

Because it was like, before then, most of the score was like, I can't remember what it was. It was like, a lot of it was very Joni Mitchell-esque.

It was that vibe. But then all of a sudden it became, you know, And it became this other thing. And we found the sort of voice. Like I was able to then be the most artistic version of myself in the score. And it was Dan just being like, no, keep, that's it. It became the emotional anchor.

It was that vibe. But then all of a sudden it became, you know, And it became this other thing. And we found the sort of voice. Like I was able to then be the most artistic version of myself in the score. And it was Dan just being like, no, keep, that's it. It became the emotional anchor.

It was that vibe. But then all of a sudden it became, you know, And it became this other thing. And we found the sort of voice. Like I was able to then be the most artistic version of myself in the score. And it was Dan just being like, no, keep, that's it. It became the emotional anchor.

Of the show. Yeah. That. And then, yeah.

Of the show. Yeah. That. And then, yeah.

Of the show. Yeah. That. And then, yeah.

And I appreciate you saying that. I think for me, too, when you talked, you said before about you see things dry in the show when you watch stuff dry and it's not working, maybe to you. But I saw that scene dry. And I got to tell you, even... with no music, I was already feeling it. It was already there for me. And so it also allowed me to write something that wasn't trying to manufacture emotion.

And I appreciate you saying that. I think for me, too, when you talked, you said before about you see things dry in the show when you watch stuff dry and it's not working, maybe to you. But I saw that scene dry. And I got to tell you, even... with no music, I was already feeling it. It was already there for me. And so it also allowed me to write something that wasn't trying to manufacture emotion.

And I appreciate you saying that. I think for me, too, when you talked, you said before about you see things dry in the show when you watch stuff dry and it's not working, maybe to you. But I saw that scene dry. And I got to tell you, even... with no music, I was already feeling it. It was already there for me. And so it also allowed me to write something that wasn't trying to manufacture emotion.

Like I wasn't like, oh, funeral, could come sad music. And almost like this music is almost not even sad. It's almost heroic or something. It's triumphant.

Like I wasn't like, oh, funeral, could come sad music. And almost like this music is almost not even sad. It's almost heroic or something. It's triumphant.

Like I wasn't like, oh, funeral, could come sad music. And almost like this music is almost not even sad. It's almost heroic or something. It's triumphant.

And I was like trying to figure out like, What it was, and Dan and I, I talk about this about what inspires me on the show. And it goes back to what I learned from Glen, John and Dan on the pilot, which is scoring to the subtext of why these characters are here. And then this moment made me realize like, well, why is this show even here?

And I was like trying to figure out like, What it was, and Dan and I, I talk about this about what inspires me on the show. And it goes back to what I learned from Glen, John and Dan on the pilot, which is scoring to the subtext of why these characters are here. And then this moment made me realize like, well, why is this show even here?

And I was like trying to figure out like, What it was, and Dan and I, I talk about this about what inspires me on the show. And it goes back to what I learned from Glen, John and Dan on the pilot, which is scoring to the subtext of why these characters are here. And then this moment made me realize like, well, why is this show even here?