Signature Illy

So it's like, if I'm going to do something with a label, it'd be like a partnership.

Like I, if you guys want to market and do this and that I'll bring, um,

five million dollars of my own money on on into the deal so i don't need a loan from you guys you guys just market and they don't like that yeah money is their leverage exactly so it's like but i'm i'm very like i'm not a type of like i want to see everyone win i'm not going to be like one of those artists that are just like trying to start issues all the time political artists and shit you know like it's just like you know there's a time and place for everything like but it's like bro i just i refuse to be owned yeah you know it's probably for the better i think yeah yeah

Bro, but it's like, think about it.

There's one Russ, and there's like 100,000 artists.

So it's like, I think with everyone, you can give courses, you can give your talks and all that, but for every single person, every single thing is different.

It's very selective case-by-case study.

You can never put one artist into like...

No way, dude.

The space evolves.

Yeah, because it's all the stuff he said plus luck to get that little push.

Because think about how many songs there's 100,000.

Dude, there's 100,000 minimum songs uploaded on Spotify a day.

Holy crap.

Like, who the fuck is, like, what's the percentage that's good music, though?

Yeah.

Like, 100,000 songs?

Let's just say all of them are good, and all music is beautiful to someone, right?

Like, that's your competition, you know, 100,000 songs a day.

So, like, how do you stand out?