Simu Liu

And we realized that the choreography has completely changed. And we're like, okay. All right, this is completely different. We've relearned the entire thing now. But as long as nothing changes, we should be okay. So then, of course, we show up Saturday for the dress rehearsal. And the choreography is completely changed again. That was supposed to be the last time that we did it before the show.

And we realized that the choreography has completely changed. And we're like, okay. All right, this is completely different. We've relearned the entire thing now. But as long as nothing changes, we should be okay. So then, of course, we show up Saturday for the dress rehearsal. And the choreography is completely changed again. That was supposed to be the last time that we did it before the show.

And we realized that the choreography has completely changed. And we're like, okay. All right, this is completely different. We've relearned the entire thing now. But as long as nothing changes, we should be okay. So then, of course, we show up Saturday for the dress rehearsal. And the choreography is completely changed again. That was supposed to be the last time that we did it before the show.

And we do it. And I don't know if I'm blowing up any of my coworkers or anything. But, you know, there's 75 Kens on stage. And they're all moving around, and I remember, like, the rehearsal was, like, it didn't go poorly so much as it just didn't go. So we kind of get back into the dressing room, and everyone's kind of feeling like, okay, what's going to happen here?

And we do it. And I don't know if I'm blowing up any of my coworkers or anything. But, you know, there's 75 Kens on stage. And they're all moving around, and I remember, like, the rehearsal was, like, it didn't go poorly so much as it just didn't go. So we kind of get back into the dressing room, and everyone's kind of feeling like, okay, what's going to happen here?

And we do it. And I don't know if I'm blowing up any of my coworkers or anything. But, you know, there's 75 Kens on stage. And they're all moving around, and I remember, like, the rehearsal was, like, it didn't go poorly so much as it just didn't go. So we kind of get back into the dressing room, and everyone's kind of feeling like, okay, what's going to happen here?

And then one of the stagehands kind of comes in and is like, yeah, so you're going to need to come in again early morning on the Sunday. The day of. The day of the Oscars and do, like, one last rehearsal because we're not ready. Yeah. So we all met at the hotel connected to the Dolby Center in the early morning Sunday. And we ran through it one last time.

And then one of the stagehands kind of comes in and is like, yeah, so you're going to need to come in again early morning on the Sunday. The day of. The day of the Oscars and do, like, one last rehearsal because we're not ready. Yeah. So we all met at the hotel connected to the Dolby Center in the early morning Sunday. And we ran through it one last time.

And then one of the stagehands kind of comes in and is like, yeah, so you're going to need to come in again early morning on the Sunday. The day of. The day of the Oscars and do, like, one last rehearsal because we're not ready. Yeah. So we all met at the hotel connected to the Dolby Center in the early morning Sunday. And we ran through it one last time.

And it was in that last run through that we finally stuck it. And then I had something like seven minutes to get ready for the red carpet. But it didn't even matter at that point. I was just like...

And it was in that last run through that we finally stuck it. And then I had something like seven minutes to get ready for the red carpet. But it didn't even matter at that point. I was just like...

And it was in that last run through that we finally stuck it. And then I had something like seven minutes to get ready for the red carpet. But it didn't even matter at that point. I was just like...

the entire time thinking about the choreography and thinking about just like not messing up on, not only on live television, but also like in front of Chris Nolan and Downey and Killian Murphy and, you know, Greta and Margo, you know, just like the amount of, you think about the audience and who was sitting there and the amount of pressure that, that was, um, but, um, but no, thankfully it went, it went really well.

the entire time thinking about the choreography and thinking about just like not messing up on, not only on live television, but also like in front of Chris Nolan and Downey and Killian Murphy and, you know, Greta and Margo, you know, just like the amount of, you think about the audience and who was sitting there and the amount of pressure that, that was, um, but, um, but no, thankfully it went, it went really well.

the entire time thinking about the choreography and thinking about just like not messing up on, not only on live television, but also like in front of Chris Nolan and Downey and Killian Murphy and, you know, Greta and Margo, you know, just like the amount of, you think about the audience and who was sitting there and the amount of pressure that, that was, um, but, um, but no, thankfully it went, it went really well.

And Ryan, I mean, just such a credit to him. Um, delivered one of the all-time greatest performances I think that the Oscars has ever seen and ever will see.

And Ryan, I mean, just such a credit to him. Um, delivered one of the all-time greatest performances I think that the Oscars has ever seen and ever will see.

And Ryan, I mean, just such a credit to him. Um, delivered one of the all-time greatest performances I think that the Oscars has ever seen and ever will see.

Oh, looks like this beach was a little too much beach for you, Ken.

Oh, looks like this beach was a little too much beach for you, Ken.