Sophie Buddle

I'll interact with people if there's an ordeal happening in the room, of course. But yeah, I'm not asking where you're from, what you do.

I'll interact with people if there's an ordeal happening in the room, of course. But yeah, I'm not asking where you're from, what you do.

Ich denke, dass viele Comics Jokes mit Klips in der Hand schreiben. Und deshalb ist es wichtig, es kurz zu halten, den Haken wirklich klar zu haben am Anfang des Jokes. Einige Dinge, die ich nicht als wertvoll für langfristiges Stand-Up nennen kann. Und ich denke, Teil der Schönheit des Stand-Ups ist, dass es so lang ist und du so viel Zeit hast in deiner Stunde, um es auszuarbeiten.

Ich denke, dass viele Comics Jokes mit Klips in der Hand schreiben. Und deshalb ist es wichtig, es kurz zu halten, den Haken wirklich klar zu haben am Anfang des Jokes. Einige Dinge, die ich nicht als wertvoll für langfristiges Stand-Up nennen kann. Und ich denke, Teil der Schönheit des Stand-Ups ist, dass es so lang ist und du so viel Zeit hast in deiner Stunde, um es auszuarbeiten.

Ich denke, dass viele Comics Jokes mit Klips in der Hand schreiben. Und deshalb ist es wichtig, es kurz zu halten, den Haken wirklich klar zu haben am Anfang des Jokes. Einige Dinge, die ich nicht als wertvoll für langfristiges Stand-Up nennen kann. Und ich denke, Teil der Schönheit des Stand-Ups ist, dass es so lang ist und du so viel Zeit hast in deiner Stunde, um es auszuarbeiten.

The tightness is really, it's the opposite of what I like about stand-up. I like the creating a real texture and vibe in the room and building some goodwill. And then that's when you get to play around a little.

The tightness is really, it's the opposite of what I like about stand-up. I like the creating a real texture and vibe in the room and building some goodwill. And then that's when you get to play around a little.

The tightness is really, it's the opposite of what I like about stand-up. I like the creating a real texture and vibe in the room and building some goodwill. And then that's when you get to play around a little.

I think it's bad for new comics. I think it's bad for comics that are starting and have the DNA of Clip. Because that's the only way they think. Yeah, yeah. But obviously it's fine for stand-ups that already are established.

I think it's bad for new comics. I think it's bad for comics that are starting and have the DNA of Clip. Because that's the only way they think. Yeah, yeah. But obviously it's fine for stand-ups that already are established.

I think it's bad for new comics. I think it's bad for comics that are starting and have the DNA of Clip. Because that's the only way they think. Yeah, yeah. But obviously it's fine for stand-ups that already are established.

Yeah, yeah. They get a clip of something and then they move on to the next joke where you can't really marinate. You can't really...

Yeah, yeah. They get a clip of something and then they move on to the next joke where you can't really marinate. You can't really...

Yeah, yeah. They get a clip of something and then they move on to the next joke where you can't really marinate. You can't really...

In longer sets?

In longer sets?

In longer sets?

I'm always curious about that, too. And that's one thing about L.A. is like we all go around town and we see each other do short sets. Yeah. And nobody knows what's happening for other people on the road. Like we all go on the road every weekend.

I'm always curious about that, too. And that's one thing about L.A. is like we all go around town and we see each other do short sets. Yeah. And nobody knows what's happening for other people on the road. Like we all go on the road every weekend.

I'm always curious about that, too. And that's one thing about L.A. is like we all go around town and we see each other do short sets. Yeah. And nobody knows what's happening for other people on the road. Like we all go on the road every weekend.