Spencer Kornhaber

Ein Teil der Geschichte, über die wir hier reden, ist der Fall der Gatekeepers. Radio-DJs, Print-Magazinen, große Labels. Du hast recht, sie hatten alle einen östlichen, oft eliten Bias. Und so, als mehr und mehr Amerika online gegangen ist, oder nicht online gegangen ist, sondern in den letzten Jahrzehnten streamt, hast du absolut Dinge wie das Land gesehen, auch Hip-Hop.

Ein Teil der Geschichte, über die wir hier reden, ist der Fall der Gatekeepers. Radio-DJs, Print-Magazinen, große Labels. Du hast recht, sie hatten alle einen östlichen, oft eliten Bias. Und so, als mehr und mehr Amerika online gegangen ist, oder nicht online gegangen ist, sondern in den letzten Jahrzehnten streamt, hast du absolut Dinge wie das Land gesehen, auch Hip-Hop.

revealed the kind of latent popularity that was perhaps already there. And yeah, it's a fascinating thing because it's not only happening in America, but it's also allowing global sounds to come to the fore and be exposed to American audiences where things like K-Pop or Spanish language pop or Afro-Pop, Afro-Beats, these are also kind of like in a renaissance of popularity.

revealed the kind of latent popularity that was perhaps already there. And yeah, it's a fascinating thing because it's not only happening in America, but it's also allowing global sounds to come to the fore and be exposed to American audiences where things like K-Pop or Spanish language pop or Afro-Pop, Afro-Beats, these are also kind of like in a renaissance of popularity.

revealed the kind of latent popularity that was perhaps already there. And yeah, it's a fascinating thing because it's not only happening in America, but it's also allowing global sounds to come to the fore and be exposed to American audiences where things like K-Pop or Spanish language pop or Afro-Pop, Afro-Beats, these are also kind of like in a renaissance of popularity.

And the question is, were they kind of always as popular? We couldn't see that in America? Or Did this falling of the gatekeepers, this algorithmic culture, this ability to search and listen to whatever you want on demand, did that create a new marketplace and expose, is that really the source of novelty for people who are looking for novelty in culture now?

And the question is, were they kind of always as popular? We couldn't see that in America? Or Did this falling of the gatekeepers, this algorithmic culture, this ability to search and listen to whatever you want on demand, did that create a new marketplace and expose, is that really the source of novelty for people who are looking for novelty in culture now?

And the question is, were they kind of always as popular? We couldn't see that in America? Or Did this falling of the gatekeepers, this algorithmic culture, this ability to search and listen to whatever you want on demand, did that create a new marketplace and expose, is that really the source of novelty for people who are looking for novelty in culture now?

Audiences are gravitating toward these sounds they really couldn't have accessed as easily a few years ago.

Audiences are gravitating toward these sounds they really couldn't have accessed as easily a few years ago.

Audiences are gravitating toward these sounds they really couldn't have accessed as easily a few years ago.

Totally, right. Yeah, yeah, yeah. Ich bin ein paar Jahre hergekommen, um meine Eltern zu besuchen, und sie haben ihre Alexa-Algorithmen gehört, und sie sind besessen mit Bad Bunny. Sie sprechen nicht Spanisch, haben nie einen latinischen Pop gehört, und plötzlich haben ihre Gerüchte sich geändert, dank der Algorithmen. Also sind diese Dinge nicht alles schlecht.

Totally, right. Yeah, yeah, yeah. Ich bin ein paar Jahre hergekommen, um meine Eltern zu besuchen, und sie haben ihre Alexa-Algorithmen gehört, und sie sind besessen mit Bad Bunny. Sie sprechen nicht Spanisch, haben nie einen latinischen Pop gehört, und plötzlich haben ihre Gerüchte sich geändert, dank der Algorithmen. Also sind diese Dinge nicht alles schlecht.

Totally, right. Yeah, yeah, yeah. Ich bin ein paar Jahre hergekommen, um meine Eltern zu besuchen, und sie haben ihre Alexa-Algorithmen gehört, und sie sind besessen mit Bad Bunny. Sie sprechen nicht Spanisch, haben nie einen latinischen Pop gehört, und plötzlich haben ihre Gerüchte sich geändert, dank der Algorithmen. Also sind diese Dinge nicht alles schlecht.

Being a music fan is part of learning your history. And so I do think that some of this fear of stagnation that we're seeing is actually identifying actually really people who are excited about music and are learning about it and treating that as if it's something perverse about it, which is actually rather healthy. Let me go one more on music here before we pivot to others.

Being a music fan is part of learning your history. And so I do think that some of this fear of stagnation that we're seeing is actually identifying actually really people who are excited about music and are learning about it and treating that as if it's something perverse about it, which is actually rather healthy. Let me go one more on music here before we pivot to others.

Being a music fan is part of learning your history. And so I do think that some of this fear of stagnation that we're seeing is actually identifying actually really people who are excited about music and are learning about it and treating that as if it's something perverse about it, which is actually rather healthy. Let me go one more on music here before we pivot to others.

I don't want to go all music here, but

I don't want to go all music here, but

I don't want to go all music here, but