Stacey Vanek-Smith (Everybody's Business Host)

Oh, wow.

Oh, wow.

Oh, wow.

Yeah, that's cool. I know Van Gogh is another inspiration in particular from the European school and that a technique that I really love, the impasto technique where you just goop that paint on there.

Yeah, that's cool. I know Van Gogh is another inspiration in particular from the European school and that a technique that I really love, the impasto technique where you just goop that paint on there.

Yeah, that's cool. I know Van Gogh is another inspiration in particular from the European school and that a technique that I really love, the impasto technique where you just goop that paint on there.

So you see the brush strokes and in the case of some of these artists and Van Gogh and of course many others, it's, you know, when you get up close to these paintings, don't touch, but you can lean in and get a really good look at just how caked on it is in some places. I just really, really love that.

So you see the brush strokes and in the case of some of these artists and Van Gogh and of course many others, it's, you know, when you get up close to these paintings, don't touch, but you can lean in and get a really good look at just how caked on it is in some places. I just really, really love that.

So you see the brush strokes and in the case of some of these artists and Van Gogh and of course many others, it's, you know, when you get up close to these paintings, don't touch, but you can lean in and get a really good look at just how caked on it is in some places. I just really, really love that.

Agreed. Another, you know, something I've learned a lot more having known artists in my adulthood is that A big part of doing your art is just having a space to do it. Not everyone can just set up in their dining room or whatever. And so studio space is cherished and sometimes hard to come by, sometimes too expensive. And so patrons are very important in that regards. And there was a guy named...

Agreed. Another, you know, something I've learned a lot more having known artists in my adulthood is that A big part of doing your art is just having a space to do it. Not everyone can just set up in their dining room or whatever. And so studio space is cherished and sometimes hard to come by, sometimes too expensive. And so patrons are very important in that regards. And there was a guy named...

Agreed. Another, you know, something I've learned a lot more having known artists in my adulthood is that A big part of doing your art is just having a space to do it. Not everyone can just set up in their dining room or whatever. And so studio space is cherished and sometimes hard to come by, sometimes too expensive. And so patrons are very important in that regards. And there was a guy named...

Dr. James McCallum, who built a building along with Harris, I think funded by James McCallum. It's called the Studio Building in the Rosedale neighborhood of Toronto. And that was a real sort of cohesion, cohesive thing. Cohesion unit. Is that a thing?

Dr. James McCallum, who built a building along with Harris, I think funded by James McCallum. It's called the Studio Building in the Rosedale neighborhood of Toronto. And that was a real sort of cohesion, cohesive thing. Cohesion unit. Is that a thing?

Dr. James McCallum, who built a building along with Harris, I think funded by James McCallum. It's called the Studio Building in the Rosedale neighborhood of Toronto. And that was a real sort of cohesion, cohesive thing. Cohesion unit. Is that a thing?

Yeah. It was like two units of cohesion when they built that building.

Yeah. It was like two units of cohesion when they built that building.

Yeah. It was like two units of cohesion when they built that building.

Yeah, but they would – You know, Canadians are known for being nice, but they would bag on them. They'd say, man, you're so broke, you can't pay attention.

Yeah, but they would – You know, Canadians are known for being nice, but they would bag on them. They'd say, man, you're so broke, you can't pay attention.