Stacey Vanek-Smith (Everybody's Business Host)
👤 PersonAppearances Over Time
Podcast Appearances
Because I almost made the joke, did they call him A?
Yeah, A.Y. Jackson, who actually, he lived, I think, the longest. Yeah, he lived all the way until 1974. Nice. Ripe old age. Yeah. He was born in Montreal, had a single mom with six or five other siblings, total six. And as a result, he had to work a lot to support his family.
Yeah, A.Y. Jackson, who actually, he lived, I think, the longest. Yeah, he lived all the way until 1974. Nice. Ripe old age. Yeah. He was born in Montreal, had a single mom with six or five other siblings, total six. And as a result, he had to work a lot to support his family.
Yeah, A.Y. Jackson, who actually, he lived, I think, the longest. Yeah, he lived all the way until 1974. Nice. Ripe old age. Yeah. He was born in Montreal, had a single mom with six or five other siblings, total six. And as a result, he had to work a lot to support his family.
But eventually he found his way to Europe where he was one of the ones, like you said, that studied like formally in Europe, which he did in France before he moved back to Ontario in 1913.
But eventually he found his way to Europe where he was one of the ones, like you said, that studied like formally in Europe, which he did in France before he moved back to Ontario in 1913.
But eventually he found his way to Europe where he was one of the ones, like you said, that studied like formally in Europe, which he did in France before he moved back to Ontario in 1913.
Yeah. And he had that Montreal connection. So he sort of Montreal artists would he'd make connections with the group of seven. Again, you know, artists knowing each other and sharing ideas and just sensibilities. Ethos, if you will, is a good thing. But he was one of the ones that went over with World War One to fight. He was actually wounded there and also painted for Canadian war memorials.
Yeah. And he had that Montreal connection. So he sort of Montreal artists would he'd make connections with the group of seven. Again, you know, artists knowing each other and sharing ideas and just sensibilities. Ethos, if you will, is a good thing. But he was one of the ones that went over with World War One to fight. He was actually wounded there and also painted for Canadian war memorials.
Yeah. And he had that Montreal connection. So he sort of Montreal artists would he'd make connections with the group of seven. Again, you know, artists knowing each other and sharing ideas and just sensibilities. Ethos, if you will, is a good thing. But he was one of the ones that went over with World War One to fight. He was actually wounded there and also painted for Canadian war memorials.
Yeah, I had never heard of this before. Had you?
Yeah, I had never heard of this before. Had you?
Yeah, I had never heard of this before. Had you?
It's super cool. It's a way for it's not, you know, camouflage in the way that it's supposed to blend in with the sea around it. In fact, far from it. It doesn't do anything like that.
It's super cool. It's a way for it's not, you know, camouflage in the way that it's supposed to blend in with the sea around it. In fact, far from it. It doesn't do anything like that.
It's super cool. It's a way for it's not, you know, camouflage in the way that it's supposed to blend in with the sea around it. In fact, far from it. It doesn't do anything like that.
Like you said, it looks like cool pop art, you know, painted on a warship. Like it almost looks like some weird art installation and not a real thing that the Navy did.