Stanley Tucci
👤 PersonAppearances Over Time
Podcast Appearances
I can't hear you say that again.
I can't hear you say that again.
I can't hear you say that again.
I don't even recognise you anymore. I wish you were a completely different person.
I don't even recognise you anymore. I wish you were a completely different person.
I don't even recognise you anymore. I wish you were a completely different person.
I just can't do this.
I just can't do this.
I just can't do this.
Well, Saoirse is a very mature 13-year-old now and a very mature 15-year-old. Mature as an actress but mature as a person too. She has a worldliness and a wisdom that I've never seen before in anybody that age and a very – wonderful, sophisticated, ironic, caustic sense of humor, which was the saving grace for all of us.
Well, Saoirse is a very mature 13-year-old now and a very mature 15-year-old. Mature as an actress but mature as a person too. She has a worldliness and a wisdom that I've never seen before in anybody that age and a very – wonderful, sophisticated, ironic, caustic sense of humor, which was the saving grace for all of us.
Well, Saoirse is a very mature 13-year-old now and a very mature 15-year-old. Mature as an actress but mature as a person too. She has a worldliness and a wisdom that I've never seen before in anybody that age and a very – wonderful, sophisticated, ironic, caustic sense of humor, which was the saving grace for all of us.
Saoirse is the one who made us feel comfortable about the movie that we were making. I looked to her maybe for security in a way. If I knew she was okay, then everything was okay. And sometimes after takes, I'd say, are you all right? Did I hurt you? Did that happen? Did it hurt your leg when you were on the ladder? And then sometimes I would just say, are you okay? Meaning just emotionally.
Saoirse is the one who made us feel comfortable about the movie that we were making. I looked to her maybe for security in a way. If I knew she was okay, then everything was okay. And sometimes after takes, I'd say, are you all right? Did I hurt you? Did that happen? Did it hurt your leg when you were on the ladder? And then sometimes I would just say, are you okay? Meaning just emotionally.
Saoirse is the one who made us feel comfortable about the movie that we were making. I looked to her maybe for security in a way. If I knew she was okay, then everything was okay. And sometimes after takes, I'd say, are you all right? Did I hurt you? Did that happen? Did it hurt your leg when you were on the ladder? And then sometimes I would just say, are you okay? Meaning just emotionally.
And she always said, I'm fine. You know, she's this little skinny Irish girl. She'd say, I'm fine, Stanley. Don't worry about it. I'm all right. I'm all right. You know. And then, you know, in the makeup trailer, it was lots of jokes about murder and lots of jokes about whatever because you have to do it to sort of keep yourself sane.
And she always said, I'm fine. You know, she's this little skinny Irish girl. She'd say, I'm fine, Stanley. Don't worry about it. I'm all right. I'm all right. You know. And then, you know, in the makeup trailer, it was lots of jokes about murder and lots of jokes about whatever because you have to do it to sort of keep yourself sane.
And she always said, I'm fine. You know, she's this little skinny Irish girl. She'd say, I'm fine, Stanley. Don't worry about it. I'm all right. I'm all right. You know. And then, you know, in the makeup trailer, it was lots of jokes about murder and lots of jokes about whatever because you have to do it to sort of keep yourself sane.
I remember her coming up to me in the makeup trailer and putting her arm around me and saying, Stanley, you know, if anyone had to kill me, I'm awfully glad that you're my murderer.
I remember her coming up to me in the makeup trailer and putting her arm around me and saying, Stanley, you know, if anyone had to kill me, I'm awfully glad that you're my murderer.