Stephen Park

It was, I mean, we did, I remember, um, they started on, um, Fran, they started on March Gunderson. So, but I was fully in it when they were on her first. And then at one point, um, uh, Francis, you know, you better turn around on him now just because I was so in it. And so then they were on me and, um,

It was, I mean, we did, I remember, um, they started on, um, Fran, they started on March Gunderson. So, but I was fully in it when they were on her first. And then at one point, um, uh, Francis, you know, you better turn around on him now just because I was so in it. And so then they were on me and, um,

It was, I mean, we did, I remember, um, they started on, um, Fran, they started on March Gunderson. So, but I was fully in it when they were on her first. And then at one point, um, uh, Francis, you know, you better turn around on him now just because I was so in it. And so then they were on me and, um,

It was enough takes to find the little moments, like that moment, and to just get into the little nuances. But it wasn't like Wes Anderson. Right, right, right.

It was enough takes to find the little moments, like that moment, and to just get into the little nuances. But it wasn't like Wes Anderson. Right, right, right.

It was enough takes to find the little moments, like that moment, and to just get into the little nuances. But it wasn't like Wes Anderson. Right, right, right.

Yeah.

Yeah.

Yeah.

You know what I think it is? Fargo. I think Fargo was my, like, entree into all of these directors' work. I think that they loved, I mean, when I first met Director Bong, and I was, we were in Prague, we were at Barandov Studios, and he was introducing me to John Hirsch, And I said, well, remember he was in, and then he referred to me as Fargo. He remembered Fargo.

You know what I think it is? Fargo. I think Fargo was my, like, entree into all of these directors' work. I think that they loved, I mean, when I first met Director Bong, and I was, we were in Prague, we were at Barandov Studios, and he was introducing me to John Hirsch, And I said, well, remember he was in, and then he referred to me as Fargo. He remembered Fargo.

You know what I think it is? Fargo. I think Fargo was my, like, entree into all of these directors' work. I think that they loved, I mean, when I first met Director Bong, and I was, we were in Prague, we were at Barandov Studios, and he was introducing me to John Hirsch, And I said, well, remember he was in, and then he referred to me as Fargo. He remembered Fargo.

So that kind of was like, oh, okay. You know, so that was my, that was how these directors, I think, found me and wanted to work with me.

So that kind of was like, oh, okay. You know, so that was my, that was how these directors, I think, found me and wanted to work with me.

So that kind of was like, oh, okay. You know, so that was my, that was how these directors, I think, found me and wanted to work with me.

Well, I have to, you know, I love working with, you know, director Bong is like, I'm going to, hopefully I'm going to see him next week because Mickey 17, which I worked on. Yeah. I'm going to get to see it next week. And so I hope we'll get to see him. But he is such a sweet down to earth guy. I had the like complete honor of hanging out with him after the big Oscar night.

Well, I have to, you know, I love working with, you know, director Bong is like, I'm going to, hopefully I'm going to see him next week because Mickey 17, which I worked on. Yeah. I'm going to get to see it next week. And so I hope we'll get to see him. But he is such a sweet down to earth guy. I had the like complete honor of hanging out with him after the big Oscar night.

Well, I have to, you know, I love working with, you know, director Bong is like, I'm going to, hopefully I'm going to see him next week because Mickey 17, which I worked on. Yeah. I'm going to get to see it next week. And so I hope we'll get to see him. But he is such a sweet down to earth guy. I had the like complete honor of hanging out with him after the big Oscar night.

And we all went to Koreatown and we're at a restaurant and the cast and the producers. And that was an amazing evening. Yeah. And so he's, he's just a sweetheart. And I, I, I love working with him whenever I, you know, twice now. So that's been really great. But I have to say like working with Wes Anderson is another level because he is like an independent filmmaker.

And we all went to Koreatown and we're at a restaurant and the cast and the producers. And that was an amazing evening. Yeah. And so he's, he's just a sweetheart. And I, I, I love working with him whenever I, you know, twice now. So that's been really great. But I have to say like working with Wes Anderson is another level because he is like an independent filmmaker.